Construction of the Elbe Philharmonic is underway, with its opening planned for autumn, 2011. Hamburg?s creative artists are not alone in seeing a new landmark for their city in this spectacular concert hall....
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The legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
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An SS man reflects on mass murder - and there's a pigeon hole for every vile deed. Novelist Georg Klein on the Holocaust and the enlightened harmony of trivial realism in Jonathan Littell's novel "Les Bienveillantes" which has just been translated into German.
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The 400-page German translation of Jonathan Littell's corpse-littered SS novel,"Les Bienveillantes," has put the German-language feuilletons into a critical frenzy, despite the general consensus that the book is bad. We have compiled a selection of the accusations hurled.
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Kurt von Hammerstein was head of the Reichswehr, a grand seigneur, and an implacable opponent of National Socialism. In his new book "Hammerstein oder Der Eigensinn" (Hammerstein or idiosycrasy), Hans Magnus Enzensberger engages in dialogues with the dead to deliver a literary and lunatic precipitate of German history.
By Ina Hartwig
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Polish author Andrzej Stasiuk's book "Dojczland" is a sophisticated portrait of German-Polish relations with flights of sarcasm and a fine sense of grotesque. Doused heavily in bourbon, it's a controversial bestseller in Poland. By Thomas Urban
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Come cruising in the park they say is dead. In his
biography of Stefan George, Thomas Karlauf reveals the charismatic German poet's authoritarian practices and the homoerotic core of his work. By Alexander Cammann
Rüdiger Safranski has pulled off the improbable: his book on Romanticism is a genuinely exciting account of German intellectual history. By Ulrich Greiner
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Germany's book market is being flooded this autumn by biographies of dead male writers. Ina Hartwig examines the whys, wherefores and potential pitfalls of this latest literary craze.
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Truly a novel of the century. With his "Die Zugereisten" (the newcomers), an autobiographical trilogy of reminiscence, Lojze Kovacic bequeathed a masterpiece to the Slovenians, as brilliant as it is bulky. By Wolfgang Schneider
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Ingo Schulze has reached new literary heights in his latest collection of short stories. Full of digressions and distractions, full of calculated humility, Schulze turns what seems to be non-art into art in its highest form. By Ulrich Greiner
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With her first novel "The Hour Between Dog and Wolf," Silke Scheuermann has written her way into the top league of young authors. The story is, once again, of young women saddled with privilege and boredom. But the language is cool, underwater movement and its author as intelligent as she is subtle. By Ulrich Greiner
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Tadeusz Borowski survived Auschwitz, became a Communist, and committed suicide in 1951. A new edition of his stories was published in German this year: morally questionable, but a milestone in Holocaust literature nonetheless. Even Dante's "Inferno" pales by comparison. By Arno Lustiger
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Svetlana Geier's magnificent translation of Dostoevsky's "The Adolescent" brings to an end her monumental project of translating all five of the author's "elephants", or major novels, into German. Although many disparage the book as muddled, in her eyes it is Dostoevsky at his most modern. Martin Ebel has paid a visit to the Grande Dame of Russian-German translation. (Image © Niklaus Stauss)
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Ex-Chancellor Gerhard Schröder has just written his memoirs "Decisions", in which he relates at length what a smashing job he made of everything. And along the way he reveals a singular lack of literary talent. Writer Georg M. Oswald journeys into a rosy past.
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Historian Joachim Fest's memoirs of his youth, "Ich Nicht," document an elitism that seeks to distance itself from petty-bourgeois National Socialism, and form a counterpoint to the prevailing culture of memory in the Federal Republic of Germany. Although the historical establishment tended to view Fest askance, his recollections document a genuinely cultivated German bourgeoisie. By Jens Bisky
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