Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Frankfurter Allgemeine Zeitung 04.10.2006
Human rights activist and Islam critic Ayaan Hirsi Ali,
whose autobiography, "Mein Leben, meine Freiheit" (My life, my freedom)
has recently been published in Germany, gives an excellent interview on
the "creeping imposition of Scharia," the biases of Tariq Ramadan
and the reforms necessary in Islam. "The prophet is the source of
everything. He described himself as 'God's messenger'. But he isn't on
a level with God. He's fallible, basically a human proclaiming
God's word. We should retain all the aspects of his teachings which are
consistent with human rights, but leave the rest in it's historical
context, the Arabic peninsula in the seventh century. The second step
is the recognition that the Koran did not originate from God,
but was written by humans 150 years after the death of Muhammed. There
are lots of things in there that need to be overhauled. Humanity has
changed beyond recognition since those times. And the third point is
sexual doctrine. I'm talking about the dogma concerning virginity before marriage. If we manage to change that, women will be free."
Frankfurter Rundschau 04.10.2006
At the opening of the Frankfurt Book Fair the Indian author Kiran Desai describes
India as a country somewhere between the "early modern and
globalisation (...) India is a nation which is notorious for having too much of everything and even more is being piled onto this mish-mash at an alarming
pace: Computers and mobile phones, tiramisu and tacos, beauty
competitions, aerobics, the return of Coca Cola, French cognac
sniffers, Thai wine glasses, American tourists, obesity, anorexia, dyed blonde hair, tempting new ad slogans: 'Peter England, the honest shirt.' Peter England, the honest shirt??"
Berliner Zeitung 04.10.2006
Harald Jähner reports on yesterday's discussion about the cancellation of "Idomeneo" in the Deutsche Oper, which took place between interior minister Ehrhart Körting, culture senator Thomas Flierl and director Kirsten Harms. "She opts for the feminine form of de-escalation: does everything have to take the form of a fight?, she cries. If so, there's always going to be winners and losers. She doesn't say what the problem with that is... Körting and Flierl say as little as possible about their own responsibility, and do that with pursed lips. But you can see how bothered they are. The gathering on the podium, chosen to represent society at large, is well aware of the value of freedom, despite all the differences in understanding. Quite apart from the question of guilt, everyone here knows that the decision to cancel the piece was wrong."
In an interview with Arno Widmann, Nobel Prize winner V.S. Naipaul talks nice and nasty as ever about Indian literature. "India is finding its feet. Slowly. But it might not become a really important literary country. It's too dependent on the rest of the world, on how they view its literary production. Books are being written for the international market and foreign critics. And the authors read the most diverse styles and think they can copy them. They think they can be Latin America, Günter Grass or James Joyce. Where is their own perspective, their own sensibility? This isn't only the case with Indian authors. There are the Chinese authors that write about the horrors of the cultural revolution; they've all taken 'creative writing' courses in the USA and write identically."
Die Tageszeitung 04.10.2006
Matthias Greffath suggests that interior minister Wolfgang Schäuble invite the bishops of both churches as well as the Pope to a gala performance of "Idomeneo".
In the final analysis, it's not about artistic freedom or Muslims.
"It's about the huge problems left behind by the Enlightenment. The
removal of divine heads was just the first part of the project and it's
left behind a huge hole in the human soul. The belief in immortality
(the soul) was not the underpinning of Western civilisation alone.
Where it pales, the empty feeling surfaces that there's nothing more
than the here and now. 'When death puts an end to all,' wrote George Orwell
in 1944, referring to the world wars, the Gulag and the concentration
camps, 'it will be harder to believe that one can be right when one has
been defeated. Statesmen, nations, theories and actions will be judged
almost automatically according to their degree of material success.'
What counts is the present. The people, when freed from serving and
sacrificing themselves for false Gods, give themselves up to hedonism,
according to the motto 'What has posterity done for me?'"
Dirk Knipphals is conciliatory about this year's winner of the Deutscher Buchpreis (German book prize), announced on Monday. "Whether Katharina Hacker's
'Habenichtse' (The Have-Nots) really is the best German language novel
of the year is up for debate. What's good is that a talented author has
been identified who serves to prove that the prize, which was
established for marketing reasons, won't sink literary standards. Popularisation without ingratiation
- what can be said against that? All the more sympathetic that Hacker
openly admits that the prize will help her live off writing. After all,
that's what it's there to do: subsidise the right authors and give
their careers a little push."