Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more

GoetheInstitute

16/02/2006

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Allgemeine Zeitung, 16.02.2006

The FAZ dedicates three articles to the Turkish film "Valley of the Wolves", a chauvinistic religious work that places the Turks on the cutting edge of Islam in the war against America. The film should not be played down, writes Richard Kämmerlings. "Of course absolute evil is one of the most trivial ingredients of action film: Nazis in Hollywood, Asians in war films or Vietnam films, Russians in Rambo – even the Indians are typical personnel for the genre, and the audiences mourne their deaths as little as Turkish audiences here bemoan the shooting of guileless G.I.s. But there is a lot more hidden under the facade of an exciting action film packed with special effects: 'Valley of the Wolves' wants to be a statement on the clash of civilisations." In a commentary on the front page, Kämmerlings sketches the most scandalous scene in the film: a doctor selects "Iraqi prisoners as live organ donors – the organs are destined for the USA, Britain and Israel."

FAZ editor Eberhard Rathgeb dared to venture to the wildnernesses of Berlin's strongly Turkish Neukölln to watch the film amongst a predominantly Turkish audience: "For a couple of hours I was a stranger in the heart of Berlin, looking at a future in which I no longer had a role, or at best as an integration problem."


Süddeutsche Zeitung, 16.02.2006

The cartoon conflict is raging in Turkey too, reports Kai Strittmatter. Prime Minister Recep Tayyip Erdogan has just lost a court case against the satirical magazine Penguen, which portrayed him "sometimes as a cat, sometimes as a horse, sometime as an entire zoo". "In Tayyip Erdogan's opinion, he should not be portrayed as an animal. And he said this as a human being and not as Tayyip Erdogan. After the court's decision against him this week, he sharpened his tone. 'Freedom of opinion and freedom of the press do not include the freedom to insult.' This is interesting because nothing is being more hotly discussed in Turkey this week than the TV clip which shows Erdogan insulting a Turkish farmer. ... The farmer had forced his way up to Erdogan and told him what he thought of his politics. The exchange of words before the running cameras climaxed in an outburst from the prime minister: 'Pack up your mother and piss off, fool'."


Neue Zürcher Zeitung, 16.02.2006

According to Geneva Islamic scholar Silvia Naef there is no absolute law against portraying Muhammad in Islam. "If you can talk about an 'ban on depictions' in Islam, then it is only relevant in a religious context: houses of prayer, books of the Koran and other religious writings never feature any figurative images. In profane life however, figuration has developed since the earliest times and has kept itself alive over the centuries." More information in Naef's book "Y a-t-il une 'question de l'image' en Islam?"

Paul Jandl talks to Czech author and diplomat Jiri Grusa about the Czech Republic and Europe. If the latter can learn something from the former, then it is a certain relativism, he says: "It is a non-ideological way of seeing the world. We are the first Protestants who were reconverted to Catholicism. We know that the Bible comes in different versions and that God has nuances. And we have recognised that this ambivalence is not a bad thing. The greatest danger is 'bivalence', a fundamental either-or."


Die Zeit, 16.02.2006


Austrian author Robert Menasse is astonished at German chancellor Angela Merkel's admirers: "Some time in the future Angela Merkel will be seen as the most important caesura in German political history after 1945 and 1989. But, to the dismay of those women who see Merkel's career as a feminist landmark independent of her policies, this will not come from her being the first woman chancellor in Germany. Unfortunately it will be because she was the first person to occupy this office who deliberately destroyed the statesman's tasks... By comparison, even Margaret Thatcher's privatisation policies will be viewed as promoting the classical interests of state."


Frankfurter Rundschau, 16.02.2006


Joachim Lange has seen Mozart's "La finta giardiniera" (The Pretended Gardener) which premiered at the Opernhaus Zurich on Sunday. Mozart was only 18 when wrote the opera buffa, which despite its initial success has only been performed three times since. "Conductor Nikolaus Harnoncourt and the La Scintilla Orchestra, which Harnoncourt helped put together at the opera house, make 'La finta giardiniera' a musical event of the first order. They bring the arias to life with an often surprising authenticity, evoking the moods and the feelings that resound like a demonstration of all the tricks the young genius had up his sleeve... But for Harnoncourt it is by no means coquetry when he talks of the genius inherent in every Mozart work (here for example) – because he knows how to bring it to our ears. He performs the work, which was ordered for the 1775 Munich season, with such intoxicating luxuriance that the obvious shortcomings of the libretto by Giuseppe Petrosellini fade into the background."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 11 - 17 December, 2010

A clutch of German newspapers launch an appeal against the criminalisation of Wikileaks. Vera Lengsfeld remembers GDR dissident Jürgen Fuchs and how he met death in his cell. All the papers were bowled over Xavier Beauvois' film "Of Gods and Men." The FR enjoys a joke but not a picnic at a staging of Stravinsky's "Rake's Progress" in Berlin. Gustav Seibt provides a lurid description of Napoleonic soap in the SZ. German-Turkish Dogan Akhanli author explains what it feels like to be Josef K.
read more

From the Feuilletons

Saturday 4 - Friday 10 December

Colombian writer Hector Abad defends Nobel Prize laureate Mario Vargas Llosa against European Latin-America romantics. Wikileaks dissident Daniel Domscheit-Berg criticises the new publication policy of his former employer. The Sprengel Museum has put on a show of child nudes by die Brücke artists. The SZ takes a walk through the Internet woods with FAZ prophet of doom Frank Schirrmacher. The FAZ is troubled by Christian Thielemann's unstable tempo in the Beethoven cycle. And the FR meets China Free Press publisher, Bao Pu.
read more

From the feuilletons

Saturday 27 November - Friday 3 December

Danish author Frederik Stjernfelt explains how the Left got its culturist ideas. Slavenka Draculic writes about censoring Angelina Jolie who wanted to make a film in Bosnia. Daniel Cohn-Bendit talks   about his friendship, falling out and reconciliation with Jean-Luc Godard. Wikileaks has caused an embarrassed silence in the Arab world, where not even al-Jazeera reported on the what the sheiks really think. Alan Posener calls for the Hannah Arendt Institute in Dresden to be shut down.
read more

From the Feuilletons

Saturday 20 - Friday 26 November, 2010

The theatre event of the week came in a twin pack: Roland Schimmelpfennig's new play, a post-colonial "Who's Afraid of Virginia Woolf" opened at the Deutsches Theater in Berlin and the Thalia in Hamburg. The anarchist pamphlet "The Coming Insurrection" has at last been translated into German and has ignited the revolutionary sympathies of at least two leading German broadsheets, the FAZ and the SZ. But the taz, Germany's left-wing daily, says the pamphlet is strongly right-wing. What's left and right anyway? came the reply.
read more

From the Feuilletons

Saturday 13 - Friday 19 November, 2010

Dieter Schlesak levels grave accusations against his former friend and colleague, Oskar Pastior, who spied on him for the Securitate. Banat-Swabian author and vice chairman of the Oskar Pastior Foundation, Ernest Wichner, turns on Schlesak for spreading malicious rumours. Die Zeit portrays the Berlin rapper Harris, and the moment he knew he was German. Dutch author Cees Nooteboom meditates on the near lust for physical torture in the paintings of Francisco de Zurburan. An exhibition in Mannheim displays the dream house photography of Julius Schulman.
read more

From the Feuilletons

Saturday 6 - Friday 12 November, 2010

The NZZ asks why banks invest in art. The FAZ gawps at the unnatural stack of stomach muscles in Michelangelo's drawings. The taz witnesses a giant step for the "Yugo palaver". Bernard-Henri Levy describes Sakineh Ashtiani's impending execution as a test for Iran and the west. Journalist Michael Anti talks about the healthy relationship between the net and the Chinese media. Literary academic Helmut Lethen describes how Ernst Jünger stripped the worker of all organic substances.
read more

From the Feuilletons

Saturday 30 October - Friday 5 November, 2010

Now that German TV has just beatified Pope Pius XII, Rolf Hochmuth tells die Welt where he got the idea for his play "The Deputy". The FR celebrates Elfriede Jelinek's "brilliantly malicious" farce about the collapse of the Cologne City Archive. "Carlos" director Olivier Assayas makes it clear that the revolutionary subject is a figment of the imagination. The SZ returns from the Shanghai Expo with a cloying after-taste of sweet 'n' sour. And historian Wang Hui tells the NZZ that China's intellectuals have plenty of freedom to pose critical questions.
read more

From the Feuilletons

Saturday 23 - Friday 29 October, 2010

Author Doron Rabinovici protests against the concessions of moderate Austrian politicians to the FPÖ: recently in Vienna, children were sent back to Kosovo at gunpoint. Ian McEwan wonders why major German novelists didn't mention the Wall. The NZZ looks through the Priz Goncourt shortlist and finds plenty of writers with more bite than Houellebecq. The FAZ outs two of Germany's leading journalists who fiercely guarded the German Foreign Ministry's Nazi past. Jens-Martin Eriksen and Frederik Stjernfelt analyse the symptoms of culturalism, left and right. Hans Ulrich Gumbrecht demonstratively yawns at German debate.
read more

From the Feuilletons

Saturday 16 - Friday 22 October, 2010

A new book chronicles the revolt of revolting "third persons" at Suhrkamp publishers in the wild days of 1968. Necla Kelek is appalled by the speech of the very Christian Christian Wulff, the German president, in Turkey. The taz met a new faction of hardcore Palestinians who are fighting for separate sex hairdressing in Gaza. Sinologist Andreas Schlieker reports on the new Chinese willingness to restructure the heart. And the Cologne band Erdmöbel celebrate the famous halo around the frying pan.
read more

From the Feuilletons

Saturday 9 - Friday 15 October, 2010

The FR laps up the muscular male bodies and bellies at the Michelangelo exhibition in the Viennese Albertina. The same paper is outraged by the cowardice of the Berlin exhibition "Hitler and the Germans". Mario Vargas-Llosa remembers a bad line from Sweden. Theologist Friedrich Wilhelm Graf makes it very clear that Western values are not Judaeo-Christian values. The Achse des Guten is annoyed by the attempts of the mainstream media to dismiss Mario Vargas-Llosa. The NZZ celebrates the tireless self-demolition of Polish writer and satirist Slawomir Mrozek.
read more

From the feuilletons

Saturday 2 - Friday 8 October, 2010

Nigerian writer Niyi Osundare explains why his country has become uninhabitable. German Book Prize winner Melinda Nadj Abonji says Switzerland only pretends to be liberal. German author Monika Maron is not sure that Islam really does belong to Germany. Russian writer Oleg Yuriev explains the disastrous effects of postmodernism on the Petersburg Hermitage. Argentinian author Martin Caparros describes how the Kirchners have co-opted the country's revolutionary history. And publisher Damian Tabarovsky explains why 2001 was such an explosively creative year for Argentina.
read more

From the Feuilletons

Saturday 25 September - Friday 1 October

Three East German theatre directors talk about the trauma of reunification. In the FAZ, Thilo Sarrazin denies accusations that his book propagates eugenics: "I am interested in the interplay of nature and nurture." Polemics are being drowned out by blaring lullabies, author Thea Dorn despairs. Author Iris Radisch is dismayed by the state of the German novel - too much idle chatter, not enough literary clout. Der Spiegel posts its interview with the German WikiLeaks spokesman, Daniel Schmitt. And Vaclav Havel's appeal to award the Nobel prize to Liu Xiabobo has the Chinese authorities pulling out their hair.
read more

From the Feuilletons

Saturday 18 - Friday 24 September, 2010

Herta Müller's response to the news that poet Oskar Pastior was a Securitate informant was one of overwhelming grief: "When he returned home from the gulag he was everybody's game." Theatre director Luk Perceval talks about the veiled depression in his theatre. Cartoonist Molly Norris has disappeared after receiving death threats for her "Everybody Draw Mohammed" campaign. The Berliner Zeitung approves of the mellowing in Pierre Boulez' music. And Chinese writer Liao Yiwu, allowed to leave China for the first time, explains why schnapps is his most important writing tool.
read more

From the Feuilletons

Saturday 10 - Friday 17 September, 2010

The poet Oskar Pastior was a Securitate informant, the historian Stefan Sienerth has discovered. Biologist Veronika Lipphardt dismisses Thilo Sarrazin's incendiary intelligence theories as a load of codswallop. A number of prominent Muslim intellectuals in Germany have written an open letter to President Christian Wulff, calling for him to "make a stand for a democratic culture based on mutual respect." And a Shell study has revealed that Germany's youth aspire to be just like their parents.
read more

From the Feuilletons

Saturday 4 - Friday 10 September, 2010

Thilo Sarrazin has buckled under the stress of the past two weeks and resigned from the board of the Central Bank. His book, "Germany is abolishing itself", however, continues to keep Germany locked in a debate about education and immigration and intelligence. Also this week, Mohammed cartoonist Kurt Westergaard has been awarded the M100 prize for defending freedom of opinion. Chancellor Angela Merkel gave a speech at the award ceremony: "The secret of freedom is courage". The FAZ interviewed Westergaard, who expressed his disappointment that the only people who had shown him no support were those of his own class.
read more