Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Frankfurter Allgemeine Zeitung, 16.02.2006
The FAZ dedicates three articles to the Turkish film "Valley of the Wolves",
a chauvinistic religious work that places the Turks on the cutting edge
of Islam in the war against America. The film should not be played
down, writes Richard Kämmerlings. "Of course absolute evil is
one of the most trivial ingredients of action film: Nazis in Hollywood,
Asians in war films or Vietnam films, Russians in Rambo – even the
Indians are typical personnel for the genre, and the audiences mourne
their deaths as little as Turkish audiences here bemoan the shooting of
guileless G.I.s. But there is a lot more hidden under the facade of an
exciting action film packed with special effects: 'Valley of the
Wolves' wants to be a statement on the clash of civilisations." In a commentary on the front page, Kämmerlings sketches the most scandalous scene in the film: a doctor selects "Iraqi prisoners as live organ donors – the organs are destined for the USA, Britain and Israel."
FAZ
editor Eberhard Rathgeb dared to venture to the wildnernesses of
Berlin's strongly Turkish Neukölln to watch the film amongst a
predominantly Turkish audience: "For a couple of hours I was a stranger in the heart of Berlin, looking at a future in which I no longer had a role, or at best as an integration problem."
Süddeutsche Zeitung, 16.02.2006
The cartoon conflict is raging in Turkey too, reports Kai Strittmatter. Prime Minister Recep Tayyip Erdogan has just lost a court case against the satirical magazine Penguen,
which portrayed him "sometimes as a cat, sometimes as a horse, sometime
as an entire zoo". "In Tayyip Erdogan's opinion, he should not be
portrayed as an animal. And he said this as a human being and not as
Tayyip Erdogan. After the court's decision against him this week, he
sharpened his tone. 'Freedom of opinion and freedom of the press do not
include the freedom to insult.' This is interesting because
nothing is being more hotly discussed in Turkey this week than the TV
clip which shows Erdogan insulting a Turkish farmer. ... The farmer had
forced his way up to Erdogan and told him what he thought of his
politics. The exchange of words before the running cameras climaxed in
an outburst from the prime minister: 'Pack up your mother and piss off, fool'."
Neue Zürcher Zeitung, 16.02.2006
According to Geneva Islamic scholar Silvia Naef there is no absolute law
against portraying Muhammad in Islam. "If you can talk about an 'ban on
depictions' in Islam, then it is only relevant in a religious context:
houses of prayer, books of the Koran and other religious writings never
feature any figurative images. In profane life however,
figuration has developed since the earliest times and has kept itself
alive over the centuries." More information in Naef's book "Y a-t-il une 'question de l'image' en Islam?"
Paul Jandl talks to Czech author and diplomat Jiri Grusa
about the Czech Republic and Europe. If the latter can learn something
from the former, then it is a certain relativism, he says: "It is a non-ideological
way of seeing the world. We are the first Protestants who were
reconverted to Catholicism. We know that the Bible comes in different
versions and that God has nuances. And we have recognised that this ambivalence is not a bad thing. The greatest danger is 'bivalence', a fundamental either-or."
Die Zeit, 16.02.2006
Austrian author Robert Menasse is astonished at German chancellor Angela Merkel's admirers: "Some time in the future Angela Merkel will be seen as the most important caesura
in German political history after 1945 and 1989. But, to the dismay of
those women who see Merkel's career as a feminist landmark independent
of her policies, this will not come from her being the first woman
chancellor in Germany. Unfortunately it will be because she was the
first person to occupy this office who deliberately destroyed
the statesman's tasks... By comparison, even Margaret Thatcher's
privatisation policies will be viewed as promoting the classical
interests of state."
Frankfurter Rundschau, 16.02.2006
Joachim Lange has seen Mozart's "La finta giardiniera" (The Pretended Gardener) which premiered at the Opernhaus Zurich on Sunday. Mozart was only 18 when wrote the opera buffa, which despite its initial success has only been performed three times since. "Conductor Nikolaus Harnoncourt and the La Scintilla Orchestra, which Harnoncourt helped put together at the opera house, make 'La finta giardiniera' a musical event of the first order. They bring the arias to life with an often surprising authenticity, evoking the moods and the feelings that resound like a demonstration of all the tricks the young genius had up his sleeve... But for Harnoncourt it is by no means coquetry when he talks of the genius inherent in every Mozart work (here for example) – because he knows how to bring it to our ears. He performs the work, which was ordered for the 1775 Munich season, with such intoxicating luxuriance that the obvious shortcomings of the libretto by Giuseppe Petrosellini fade into the background."