Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Die Welt, 10.02.2006
Die Welt prints an interview with Günter Grass from El Pais on the cartoon conflict. The writer, who at the time of the Rushdie affair was of a very different opinion, believes the West is entirely to blame
and recommends that Islamic taboos be heeded. "We have lost the right
to seek protection under the right to the freedom of expression. The
days of lese-majeste are not so far behind us and we should not
forget that there are places in the world where there is no of
separation Church and State. Where does the West get this arrogance to
want to decree what one can and can't do? I recommend that everybody
take a closer look at the caricatures: they are reminiscent of the
famous newspaper of the Nazi era, the Stürmer, which published anti-Semitic cartoons of a similar style."
Neue Zürcher Zeitung, 10.02.2006
Islam scholar Ralph Ghadban sees in the cartoon dispute primarily a demonstration of power on the part of Islamicists. "A marked retrogression is observable in the Islamic world. The result of progressive Islamisation has been that stricter blasphemy laws are being introduced in an increasing number of countries. The aim of these laws is less to protect Islam than to combat and displace other religions. Fanaticised Muslims are attempting to use terror and violence to export their norms for blasphemy beyond the borders of the Islamic countries, and to gag or even kill people. Salman Rushdie, Theo van Gogh and now the Danish paper Jyllands-Posten are the best-known examples. This throws a shadow over the Islamic world, and the blame for this is often laid on Islam as a religion. But those who think that way, especially the Muslims, forget that a flourishing, open civilisation prospered for centuries under the rule of Islam. And much that falls under today's blasphemy laws was discussed openly."
Süddeutsche Zeitung, 10.02.2006
Tobias Kniebe was at the start of the Berlin International Film Festival, and has little good to say about this year's opener, Marc Evan's "Snow Cake", or star Sigourney Weaver. Only male lead Alan Rickman comes out unscathed, although "even the Rickman effect, the movie's sole entertainment factor, is destroyed by director Marc Evans, a Welshman with experience in the psychological genre. He has seen his chance to pull out all the emotional stops and send an application straight off to Hollywood. There are no end of hugs, insights into life, hands stretched in forgiveness, dead people smiling from the hereafter, poetry before sunset and other stuff that can only be labelled 'hardcore' in the context of the Berlinale. Like with last year's flop "Man to Man", all you could do was shrug, cross it off your list and look ahead – but it will take at least three brilliant rape dramas to wash down this sugary snow cake."
See our feature "Breathless" for a daily Berlinale update.
Süddeutsche Zeitung, 10.02.2006
After the collapse of a number of flat-roofed buildings
in Bavaria, Gerhard Matzig is bent on an exhaustive examination of the
issue despite the fact that now local authorities have started pulling
down faulty pitched-roof houses too. He is convinced that the
problem has nothing to do with either flat roofs or the architects
responsible for them. "Basically there are really only two possible
causes of collapse that come into question. Too much faith in standard
snowfalls and standard burden may well have prevented supermarket
managers or local authorities from reacting appropriately to this transgression of the norms.
This sort of thing is costly. And the other possible contributing
factor is the tendency to create the greatest amount of storage space
in the cheapest possible way."
Die Tageszeitung, 10.02.2006
Christian Kortmann is delighted that the brown bear is returning to the Alps: "The bear's return is not only a great thing for tourists and snapshot hunters, it's also a joyous phenomenon for our whole understanding of ourselves and our society. Just knowing the bears are there lends a pleasant contour to reality. That wild, dangerous life out there really does exist after all!"