Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Süddeutsche Zeitung, 20.01.2006
In June 2003, the writer Ibrahim Al-Hariri left exile to return to his native Iraq. The SZ is printing a series of his written reflections. "Since the existence of the al-Zarqawi
phenomenon all sorts of Iraqis live in constant fear for their lives,
not only communists, democrats, liberals and free-thinkers, Shiites and
Sunnis. I too live in constant fear. Even though I've long been on
friendly terms with the idea of death, I am seventy after all. But I'm
haunted by the idea of having my throat slit like a chicken.
What if the slaughterer botches the job. Or the knife is blunt? These
considerations torment me more than the thought of being slain by
Zarqawi's associates. Of course there are plenty of other terror
cliques who would do the job, the 'Neo- Zarqawists', for example, or
the ever-faithful Saddam followers. I got so obsessed that I developed
an interest in different methods of decapitation. I asked local
butchers about the quickest way to go about it. And their reaction was
one of shock because I have a peace-loving reputation. In my whole
life, I've never even killed a chicken."
Die Welt, 20.01.2006
Now that Bolivia has elected its first 'Indio' president, Evo Morales, author Mario Vargas Llosa warns
against left-wing romanticising and reverse racism. "To squeeze Latin
America's problems into a grid of ethnicity and skin colour, as these
demagogues are doing, is utterly irresponsible. The idiotic anti-Indio
prejudices held by certain Latin Americans who describe themselves as
white, are simply being reversed and the Indio is indulging in his
stereotypes against 'the whites'. Isaac Humala, the father of
two presidential candidates in April in Peru recently made it very
clear to a Peruvian dinner gathering what would happen if one of his
offspring came into power: Peru, so he said, would be a country where
only the 'copper-skinned inhabitants of the Andes' had full
national rights. The rest – white, black, yellow – would be 'state
subjects' with certain rights. Had a 'white' Latin American painted
this picture, he would be, and rightly so, hounded by international
outrage."
Neue Zürcher Zeitung, 20.01.2006
The Japanese government intends to introduce a law making it possible for a woman to take the throne, and so send a positive signal to the country's women, writes
Florian Coulmas. This seems to be urgently needed: "After twenty years
of anti-discrimination laws, Japanese women are much farther from equal
status than women in other industrial countries. Many women have been
not only embittered by this, they have also stopped having children.
Recent statistics show that Japan's population has started to shrink,
two years before the date forecast just a few months back. In 2005
deaths outnumbered births by 10,000. If the women continue taking such
an ill view of child bearing, this depopulation will quickly gather speed."
A tribunal has granted five of the most famous paintings by Gustav Klimt with an estimated value of 200 million euros to heiress Maria Altmann
and her relatives. The trial, which dragged on for more than six years,
does not put Austria in a particularly favourable light, writes
Paul Jandl. "Randol Schoenberg, Maria Altmann's lawyer and grandson of
composer Arnold Schönberg, has repeatedly criticized the Austrian side
of 'formalism'. When Maria Altmann wrote to the Austrian
government seven years ago indicating her readiness to negotiate, her
letter was not even answered by Elisabeth Gehrer, the minister responsible. Now the case is over, Gehrer's restitution policy is seriously damaged. During the court case, the government side did not show the slightest conciliatory gesture. Now everyone is up in arms."
Berliner Zeitung, 20.01.2006
In light of Steven Spielberg's film "Munich", Israeli historian and expert on German affairs Moshe Zimmermann reflects
on the hostage-taking of the Israeli Olympic team: "With the
Palestinian attack in the Olympic village in Munich, the Israelis could
bring together and activate the spectres of its two major historical enemies –
the Arabs (in this case the Palestinians) and the Germans. In the
Israeli perception of the events of September 1972, these spectres
overshadowed both the failures of its own security services and the role of the Soviets and
their henchmen in the attack. They also diverted attention from the
attitude of the American IOC president, Avery Brundage, who already at
the Berlin games in 1936 could not be won over to Jewish requests – for example the boycott of the Nazi games."
Die Tageszeitung, 20.01.2006
Georg Patzer calls the show "Female" by South African artist Marlene Dumas (pictures) in the Kunsthalle in Baden-Baden "an intensely luminous
exhibition, and one of the most beautiful ever put on in this city."
Patzer continues, "Every single portrait depicts a personality. Dumas'
rough style of drawing hits a vital chord without overdoing
or oversimplifying things the way caricatures do. With minimal means she
shows mischievousness, shadowing, inner calm, mistrust and hesitation."