Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Monday 16 January, 2006
Die Welt, 16.01.2006
Rainer Haubrich takes the demolition of the Palast der Republik (the Palace of the People in the former GDR), which is set to begin after a final parliamentary vote on January 20, as an opportunity to revel in the prospect of the Stadtschloss (city palace) which is to be re-built in its place. "When, at the beginning of next year, the last pieces of the Palace of the People are being dismantled, there will be a feeling of emptiness, similar to the feeling that prevailed after the demolition of the Stadtschloss, a barbaric act that was ordered by Communist Party head Walter Ulbricht. Then it will be much clearer how important it is to fill this painful hole in the cultural map of the republic with form and content. Both have succeeded. The 'Humboldt Forum' that will be housed behind the reconstructed Baroque facade of Schlüters and Eosanders will refer way back into German history and way ahead into the 21st century."
Neue Zürcher Zeitung, 16.01.2006
Bahman Nirumand sings praises of the liberating effects of the Internet in Iran and cites a study by the Iranian Nasrin Alavi on the weblog-scene among the country's youth. "Many write about their everyday lives, their fears of the future and their wishes for another life or another love. What is most noticeable is the enormous desire for freedom, for light-heartedness, a life without pressure. 'The day will come when everything is good,' writes one. 'There will be no censor combing through the blogs... Then you and I will wander through the streets with a bottle of champagne, assuming your mother permits that, of course."
Die Tageszeitung, 16.01.2006
The immigration researcher Necla Kelek defends the so-called "Muslim Test" (news story) which has been in practice in Baden-Württemberg since the beginning of the year. "The proudly cherished 'alarmist' culture which thrives in the German public commands ever more of my respect: one is immediately ready to take sides with those presumed to be weak or threatened. At the same time it astounds me that this solidarity is often blind – blind to what is actually worth defending in one's own society, one's own constitution and in some cases, must be defended. (...) Let us stop placing immigrants and their position on the central issues of democracy under nature conservation."
Saturday 14 January, 2006
Berliner Zeitung, 14.01.2006
The weekend magazine features a delightful interview with German-American author Irene Dische about her book "Großmama packt aus"
(Grandma unpacks), and spoiled children in Germany: "In any event,
children don't harbour illusions. They see what their father or mother
are like, and they accept it, even if it hurts. My daughter went to an
English military school here in Berlin. All the other parents were
soldiers. A lot of them were pretty ordinary folk, and very young,
who'd had their first kids at 16. My daughter was asked to keep a
journal, and it was later shown to us. The school had absolutely no
notion of a private sphere. She'd written: 'I wish my mother was a housewife
named Linda and my daddy a soldier named Bob. I wish they were much
younger.' I'll never forget those two lines. She was seven at the time.
And at Parents' Day my poor husband had to race against
the other fathers, who were all in their mid-twenties, while the kids
looked on. And I had an American accent, which was incredibly
embarrassing for my kids at this English school. Children are fellow travellers, who just swim with the tide! Whenever I was there with my daughter, she'd say to me: 'Don't speak!'"
Die Tageszeitung, 14.01.2006
Gerrit Bartels analyses how Germany's most popular and controversial literary critic Marcel Reich-Ranicki continues to be the hub around which German letters revolve: "He's a luminary, a brand name that continues to sell. And he still holds court at the culture desk of the Frankfurter Allgemeine Zeitung,
(of which he was formerly chief editor – ed). He just keeps writing for
the paper, and in doing so he keeps building up an enthusiastic
readership. Marcel Reich-Ranicki is a continually self-reproducing system: columns like the ones he writes for the Sunday edition of the FAZ become
books; discussions and interviews he gives become books; and a lot of
his old newspaper articles (like for example 'On the Americans') do
too. And his books then become advance publications and newspaper
articles with and about Reich-Ranicki. And these in turn will generate
a new batch of books."
See our feature "Are you done? I've got things to do", an interview with Marcel Reich-Ranicki.
Neue Zürcher Zeitung, 14.01.2006
Sören Urbansky has visited a museum in Pingfang in Northeast China dedicated to experiments with biological weapons
carried out on the civilian population by the Japanese occupation
forces in World War II. Everything is shown with wax figures: "Live dissections,
frozen bodies and corpses piled in the crematorium, all accompanied by
recorded screams." The Chinese government uses the museum for national purposes, Urbansky writes. For him the exhibits are "sometimes
artificial, and seem to comply with a specific aesthetic that, to quote
Ian Buruma, is typified by 'a strange mix of holy memorial to Chinese martyrdom and wax museum.' The explanatory panels have all the subtlety of heavy-handed war propaganda: only a grand, steeled nation can ensure that the Chinese race and civilisation will survive for thousands of years."