Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Berliner Zeitung, 30.09.2005
Harald Jähner comments on the unbelievable optimism campaign "Du bist Deutschland" (you are Germany) that 25 media enterprises, major corporations, Der Spiegel, the Frankfurter Allgemeine Zeitung, the Süddeutsche Zeitung the Westdeutsche Allgemeine Zeitung, the public and the major private television channels are currently waging against
German pessimism. "It's appalling the way Germans wrestle with
themselves. But it's even worse when they suddenly stop." He continues:
"The campaign is the answer of the cumulative power of the media to
misery. But unfortunately it's also an insult to the viewers." And as we discovered, for all the positive thinking, the campaign link fails miserably in Firefox!
Süddeutsche Zeitung, 30.09.2005
"No compromise can improve the primitive face of naked humanity and at the same time make the deathlike, arrogant, asinine face of naked power more human," writes author Andrzej Stasiuk
about the Polish election campaign posters. "We no longer elect people
we admire, trust and want to emulate in our own small way. Basically
the only choice left open to us is between people like ourselves and
media zombies with smiles like orange juicers. The latter will certainly soon be replaced by robots installed with a computer programme called 'President of all Humanity'. But who the rest of us will be replaced by I really don't know." See our feature article "Not a living soul around" by Andrzej Stasiuk.
Neue Zürcher Zeitung, 30.09.2005
Jordanian literary critic Fakhri Saleh describes the development of anti-American sentiment in the Arab world since
1967, when the US supported Israel in the Six Day War. The poems of Adonis and Mahmud Darwish
have played their part in this trend, Saleh writes. "People saw the new
superpower with a mixture of fear, resentment, hate, curiosity and
envy. But hatred became predominant when Israeli troops marched
into Lebanon in 1982, besieged Beirut for three months and drove the
PLO and Palestinian guerilla fighters out of the country. The Palestinian
poet Mahmud Darwish accused the US, whose president Ronald
Reagan supported Israel unconditionally, in a long dramatic poem: 'O
Hiroshima of the Arab lover / the pest is America, America is the
pest.'"
Frankfurter Rundschau, 30.09.2005
Berlin is the world's art capital this week with the art fairs Art Forum and Berlin-Biennale and three major exhibitions ("Fast nichts" from the Flick Collection, "Pablo. The private Picasso" in the Neue Nationalgalerie and the Nationalgalerie Prize for Young Art 2005 in the Hamburger Bahnhof) all running simultaneously. Elke Buhr surveys the vast selection of goodies on display at Art Forum, all just waiting to be snapped up by the new generation of 30-45 year old collectors.
It all sounds a tad artsy craftsy. "Photography, casually blurred or in
high precision gloss, stylised still lives of metropolitan life,
paintings of the same, only with the added bonus of a hand-made aura. Comics, TV images, fashion photos are the templates. People who like wearing Mangas on their t-shirts
might like them as oil paintings on their walls, and a painting series
that looks like a private photo album will lend the living room that
certain je ne sais quoi."
Die Welt, 30.09.2005
In an interview with Michael Pilz, Sven Regener and Richard Pappik of the (West) Berlin band Element of Crime reminisce
about their first concert in East Berlin in 1987. "It was mad", says
Pappik, "although I'd been living in West Berlin for ages, I'd never
been over there before this concert. This only added to the shock. It
really was a completely different world. On the other hand we found
ourselves in this unbelievably lively private music scene over
there". And Regener adds, "We were pretty naive. I mean, we came from
punk. It was another world. But then again, the houses, the elevated
railway in Prenzlauer Berg, that was exactly like Kreuzberg (district
of West Berlin bordering directly on the Wall, popular with musicians
and artists -ed.) It was like time travelling to a parallel universe."
Frankfurter Allgemeine Zeitung, 30.09.2005
Susanne Klingenstein reviews Laurel Leff's book "Buried by the Times", dealing with the New York Times' coverage of the Holocaust between 1938 and 1945. "This drama was reported in 1,186 stories, but it never made the front page.
The result was that despite ample information from reliable sources,
the American public never found out about the full scope of Hitler's
war against the Jews." One of the reasons was that the publisher Arthur Hays Sulzberger,
himself a Jew, "considered the Jews as a purely religious community,
not a nation or a people", and wanted the paper's coverage to appear
impartial. With negative consequences. "The three day Krakow Ghetto Massacre in March 1943 was reported on page five, and the Warsaw Ghetto Uprising on page 43.
The arrest of an aide to the Archbishop of France was reported on the
front page, but the planned 'liquidation' of the French Jews appeared
on January 27, 1943 on page ten. The news that three million Jews had already been murdered appeared on August 27, 1943 on page seven."