Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Neue Zürcher Zeitung, 29.07.2005
Peter Schäfer reports on youth culture in the Gaza Strip
(unfortunately the article is not online). "The Palestinian Authority
is very weak here in the South, the people are on their own. It's
virtually impossible to break out of this environment. But Aber
Muhammad al-Fara (19) and Nadir Abu Ayish (21) stand out. Muhammad
wears sunglasses, a trendy black track suit and new trainers. And Nadir
sports a kaleidoscopic coloured jacket. They turn heads everywhere they go. This is the creme de la creme of Palestinian hiphop in the Gaza Strip. P.R Palestinian Rappers.
They laugh when you ask them about concerts in Khan Junis. Society
would never allow it. 'We don't have that many fans in Khan Junis
anyway,' says Muhammad, who goes by the name of D.R., Dynamic Rapper.
'Twenty maybe. But there are more in Gaza.' In this large city, an
hour's drive north of Khan Junis, they had five gigs last year. Word of mouth brought in school kids and students of both sexes, and
they were over the moon. 'But things aren't that easy in Gaza either',
explains Nadir. 'At one concert someone threw a grenade into
the room. But it only made a big bang. Nobody was hurt.' The
incident didn't affect them too much. People who live in Gaza are used
to much worse."
Tagesspiegel, 29.07.2005
Sebastian Handke reports on the latest film by Byambasuren Davaa, the Mongolian film student studying in Munich whose last film
"The Weeping Camel" was nominated for an Oscar in 2003. She has now
returned to Mongolia to film "Die Höhle des gelben Hundes" (the cave of
the yellow dog) which premiered in German cinemas yesterday. The crew
spent two months filming with a young family in the remote hills to
create an "astoundingly unforced" cross-breed of feature and
documentary. Much of what happened in the film came about
coincidentally. "One evening when we'd finished filming for the day,
two children started playing with a small Buddha figure of their
mother's. 'You don't play with God!' one cried and brought the game to
an abrupt end.' I would never have dared to put such a weighty sentence in the mouth of one so small,' says Davaa. 'I would never dare to say such a thing myself."'
Die Welt, 29.07.2005
Haim Watzman, who's written a book about his military service in Israel reflects on the shooting of the Brazilian electrician Jean Charles Menezes
by the London police. "Suicide bomb attacks are planned so they can be
set them off with one finger, in case the bombers have been brought to
the ground and are surrounded by heavily armed men. The bomber can
still blow everything into the air. So the policeman who shot Menezes
did a terrible thing. But it was the right thing."
Süddeutsche Zeitung, 29.07.05
Jonathan Fischer introduces German readers to Cowboy Troy,
the black Texan who calls himself "the only six foot five, black
rapping Cowboy in the Country Music scene". Although the urban black population
constitutes the largest and fastest growing group of country music fans
in the US and the music is closely related to soul and other black
music forms, the industry has been dominated by white talent. Cowboy
Troy senses that his Hick Hop, a blend of hip hop and country,
is going to storm the charts. Fisher is less optimistic: "Cowboy Troy
is neither here nor there. As an arsonist in the badlands
called country, his Colts aren't going to smoke for long and at the
same time, he doesn't have the qualities of a Rapper." But having
studied psychology and with careers in professional wrestling and shoe sales behind him, Cowboy Troy will probably never be at a complete loss.
Two new cycles of Anselm Kiefer's work are now on show. In the London gallery White Cube, 33 works are dedicated to the Russian futurist Velimir Khlebnikov (review in English here); the Salzburg gallery of Thaddeus Ropac is exhibiting paintings and sculptures dedicated to the poet of "Deathfugue", Paul Celan.
In an interview with the director of the Kunsthalle in Tübingen, Götz
Adriani, Kiefer says that he actually would have liked to be a writer.
"But you can only do one thing really well. Which is why for the time being, I'm a painter."
Die Tageszeitung, 29.07.2005
Andreas Hartmann writes an affectionate portrait of the record collector and archivist Frank Maier. Maier collects tapes and cassettes of obscure music from the 1970s and 1980s, particularly German music, unreleased musical sketches from the likes of Blixa Bargeld or Gabi Delgado.
For Maier "this is material whose influence on today's experimental
music cannot be overestimated. This is where everything comes from,
even techno, this is the real source of contemporary electronic music.
Frank Maier researches pop culture that has not been archived
elsewhere. Basically he is dealing with a terra incognita, material that's been forgotten or repressed, the history of its own history. 'In
a time when pop music is mainly quoting itself, ' he says, 'the new is
to be found in the discovery of the old.' That's why he's been
archiving and digitalising his albums and documents. He's archived 100,000 albums on his website, where you can find information on Maier's experience as an extreme
collector and on the value of rare albums." In addition, he's founded
his own label: Vinyl on Demand.