Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Der Tagesspiegel, 24.06.2005
In an interview, philosopher Peter Sloterdijk declares that Tony Blair
is pushing Turkey's entry in the EU to ensure that Europe will be
ungovernable, that the "dear French" are getting on his nerves with
their usual "revoltism", and that on top of things a threat to direct democracy is now brewing. "What we can expect is a global turn in 'authoritarian capitalism'
– on the basis of neo-authoritarian values. Ratzinger's visions are
easily accomodated into such a context. The 21st century is becoming a neo-authoritarian laboratory,
one where capitalism no longer has a need for democracy... The current
situation is similar to the 1930s, when several kinds of
authoritarianism were on offer all over the world. I think
political systems are again experiencing a transition to
postliberal forms. You have the choice between China's 'party dictatorial' mode, the Soviet Union's 'state dictatorial' mode, the USA's 'opinion dictatorial' mode and finally the 'media dictatorial' mode of Berlusconi's Italy. Berlusconiism is the European test balloon of the neo-authoritarian turn."
Die Welt, 24.06.2005
The upcoming G8 summit would be better deployed to fight Aids than climate change, believes Danish political scientist Björn Lomborg, professor at the Copenhagen Business School. "Global warming is a fact. But the Kyoto protocol will have a limited tangible impact
(postponing the temperature rise from 2100 to 2106) at vast cost
(approximately 150 billion dollars per year). In view of limited
resources, we must ask ourselves whether we want to do a lot of good
things now or very few later. We must ask ourselves whether we
can do more for the world by changing tactics on investment. It's not
about letting go of the reins, on the contrary, we must grab the
burning issue of prioritisation by the horns. Why is it the
last major hurricanes caused thousands of deaths in Haiti when no one
died in Florida? Because the Haitians are poor. They cannot take the
necessary precautions. If we can break the vicious circle of
poverty by tackling the most immediate problems of hunger, disease, and
polluted drinking water, we are not just doing obvious good, we are
making people less vunerable to the effects of climate change."
Frankfurter Rundschau, 24.06.2005
Iraqi writer Najem Wali reports that he has made a custom of seeking out the graveyards in every city and place he visits. But what does one do when an entire region turns out to be a graveyard? Wali travelled through Kurdistan, in Northern Irak,
which "still today, after thirteen years of autonomy, of freedom and
independence from central state power, is one vast graveyard. Unlike
the graveyards in the South, however, the ones here mostly contain
children's graves." Wali imagines the fate of the children as a "travelling world museum (...) a museum of all the things that were planned and never fully realised".
Die Tageszeitung, 24.06.2005
Bahman Niroumand, who fled Iran under the Shah and has lived in Germany since then, petitions for an election boycott
in Iran. He believes the ultra conservative Mahmood Ahmadinejad is just as
unacceptable as the conservative Ali Akbar Rafsanjani. "When Rafsanjani was
state president, Ahmadinejad was involved in two assassinations
that Rafsanjani ordered: one in Paris against the former prime
minister Shahpur Baktiar; the other in Vienna against the leader of
the Democratic party of Iranian Kurdistan, Abdolrahman Qasemloo. Ahmadinejad became provincial governor under Rafsanjani. They
worked together for years. How can you recommend voting for the boss out of fear for his employee?"
Daniel Bax travelled to Northern Serbia, where he met Croatian rock musician Darko Rundek and composer Boris Kovac.
Kovac is one of the founding members of the "Interzone" festival in
Novi Sad which started seven years ago "in an alternative city theatre
as meeting place for the opposition, and today continues to explore the
cross section of jazz, world and new music", says Bax. Both Rundek and
Kovac feel more affiliated with the Western pop world and pursue a very
different musical agenda to that of the Balkan sound currently enjoying
such popularity "not least because of the films of Emir Kusturica and the music of Goran Bregovic".
Bax quotes Kovac: "Of course it's good to support gypsy
culture. (...) But it's something else to ride about on this cliche of
the wild Balkans. I don't like this over-simplified picture that Kusturica und Bregovic paint of the former Yugoslavia for a Western audience."
Süddeutsche Zeitung, 24.06.2005
Jens Bisky has few kind words for the "Manifesto" by writers Martin R. Dean, Thomas Hettche, Michael Schindhelm and Matthias Politycki published yesterday in Die Zeit (more here), calling for "Relevant Realism" in German literature: "The entire manifesto sounds off in nondescript mutterings,
shifting ground between poetry and politics to avoid having to commit
itself to anything. The gesture is resolute, the content is vague, and
the wording careful to cowardly."
Helmut Böttiger is in Kiev, and reports enthusiastically on the lingering mood of change
(and the chic Ukrainian women), strongly recommending that
Ukraine be the guest country at the Frankfurt Book Fair in 2008: "The
slender Ukrainian publishers' programmes attest to a real hunger for life. The Folio publishing house in Kharkiv has a series of books by young authors: 23-year-old Irena Karpa sings in a rock band and poses on the cover of her novel '50 Minutes on Drugs' like a stage performer in some holiday resort. Irena Starostina is just 17, and her book 'A Few Seconds of Happiness' evokes sexual fantasies typical for of age – there is something in the air."
Alexander Gorkow reports on problems encountered by the German "Live-8" organiser Marek Lieberberg, who fears standing in disgrace before his colleagues in London, Philadelphia, Rome and Tokyo: he can't find any sponsors. "'Since we started work on the German concert, we've been floundering in a net of stinginess,
disinterest and official toing-and-froing in Berlin. The other cities
involved in the project aren't faced with that kind of thing."