Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Neue Zürcher Zeitung, 25.02.2005
On the media page, "set" describes specialised web logs
on the Internet. "According to a survey by Pew Internet and American
Life Project, 32 million already read 'blogs', and eight million
contribute to them. A lot of what is written in this colourful op-ed
cosmos ranges between inspired commentary and narcissistic banality."
But the new bloggers include many researchers and academics. "Apart
from political reporters with journalistic ambitions, an increasing
number of specialists are publishing and linking information in the
growing 'blogosphere', or web log community. Such specialised
blogs have different names on the Net according to their area of
specialisation. Legal web logs are called blawgs, business journals biz blogs, and political reports after 9/11 war blogs."
Frankfurter Rundschau, 25.02.2005
Christine Keck interviews Elisabeth Hartnagel, sister of Hans and Sophie Scholl, on Marc Rothemund's film "Sophie Scholl",
which won two Silver Bears for best actress and best director last
weekend at the Berlinale film festival. The film deals with the White
Rose movement, a group of young students in Munich who acted against
the Nazi regime. "Elisabeth Hartnagel was not displeased after seeing
the film, although she admits that 'the reality was so much more horrible than the film'."
Süddeutsche Zeitung, 25.02.2005
"A hard act to follow!" Gustav Seibt is overwhelmed by Walter Kempowski's "Abgesang '45â€, the final book of Kempowski's ten volume 'collective diary' of World War Two. "Goebbels' last drivellings, the Wehrmacht's unctuous final report, Hitler's crazed babbling, it all comes alive.
Of course, the book has its weak points, masks of self-righteousness
and barefaced horror. The suffering of the Germans is all there, but it
is their crimes that leap off the page. In Bergen-Belsen a British
officer cannot tell if the beds are occupied or not because the haggard
inmates are so emaciated. The last trains full of thirsty, screaming
deportees squeeze through masses of refugees on the German rail
stations, heading for the camps."
Cultural anthropologist Werner Schiffauer looks at the reasons for the rising number of 'honour killings'
in Berlin's Turkish community, pointing to causes not in Islam, but in
"social discrimination and pressure to conform." For Schiffauer, "an ethnic underclass
is forming. Here the recourse to honour is a problem not only because
it is used to mark a border with the rest of society, but also because
it does this with reference to women. We are honourable, they aren't.
And you can see this in our women. Anger at German society as a whole
is quickly redirected at women who do not comply with these
expectations - by becoming upwardly mobile and distancing themselves
from Turkish culture. The relative success of these young women in
schools and at the workplace shows their brothers that their peripheral
position is perhaps not as hopeless as they make out. When on top these
women then start acting 'like the Germans', it is tantamount to
betrayal."
Die Tageszeitung, 25.02.2005
On the opinion page, Michael Ignatieff, director of the Carr Center of Human Rights Policy, explains in an interview with Robert Misik that the war in Irak is a lesser evil than European left-wing moral relativism.
"It is certainly easy to sit back and say: 'Who are we to decide
between good and evil? Who are we to intervene in Irak?' It all sounds
good, but what results is Vienna of 1994: a good, secure life when only
an hour's flight away genocide is taking place. An unbearably high
percentage of the European left thinks exactly this way. The rhetoric
combines anti-colonialism and cultural relativism with a general
suspicion of liberalism. What results is a defence of the comfortable,
bourgeois life in Western capitals. This provincial anti-American
isolationism should ask itself why only others should be exposed to the
world of danger."
Der Tagesspiegel, 25.02.2005
Lutz Hachmeister, director of the film "Goebbels-Experiment" explains in an interview what interested him in the character of the Nazi propaganda master: "I was interested in Goebbels
as a modern figure, as a media politician. He is always portrayed as an
abstract manifestation of evil, from which we, as the good children of
the next generation, are safely separated. I wanted to lift this
partition. After the premiere at the Berlinale film festival last week,
a woman from the audience said: 'He comes over as very likeable
sometimes, and even good-looking. I think that's terrible.' It was my
intention to create this unpleasant closeness. Some viewers and critics
wanted exorcism and purification through some sort of commentary or
strictly objective stance. This was exactly what I didn't want."
Frankfurter Allgemeine Zeitung, 25.02.2005
On Monday Frank Schirrmacher, one of the publishers of this paper, complained
that 99 percent of schoolchildren at the Eberhard-Klein School in
Kreuzberg were "non-German" (he obviously meant not of German
parentage) and he painted this as the future looming over Germany.
Today Regina Mönch visited the school and cannot speak highly enough of
teachers' work there. "As in other schools with a high percentage of
immigrants the Klein Secondary School
has its own library which it has compiled itself and is much used - by
children whose parents own very few books themselves. The school has a
higher child-teacher ratio than other schools and the classes are often
split into smaller groups to tackle learning difficulties more
efficiently and push the faster learners. All this demands a huge
amount of effort, patience and self-confidence which rarely receives
recognition from outside. Instead, schools pick up the pieces of
misguided immigration policies and social decline as a matter of
course."