Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more

GoetheInstitute

23/05/2005

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Monday 23 May, 2005

Der Spiegel, 23.05.2005


On Sunday, the Social Democratic Party lost the local elections in the state of North Rhine-Westphalia after 39 years of uninterrupted rule. Sunday night, German Chancellor Gerhard Schröder announced he would hold federal elections this September, although they were scheduled only for fall 2006. The election campaign in Germany has started as of today. Writer and lawyer Juli Zeh was unaware of this when she wrote an essay criticising the "critique of capitalism", initiated by SPD chairman Franz Müntefering, with which the SPD fought the NRW campaign. Yet she also makes clear what is at stake in the upcoming elections. "Do we long for a small, secure world, or will we continue striving to extend the frontiers that provide equal chances (and so also equal risk) as far as possible – even beyond national borders? And would we be ready to sacrifice certain material things in the name of one of our older or newer ideals? How do we want to be? Strong, beautiful and successful, or noble, helpful and good?"


Die Welt, 23.05.2005

Faruk Sen, director of the Essen Institute for Turkish Studies, explains why scepticism is growing in Turkey over EU accession: Exceptional regulations and protectionary clauses in areas like freedom of movement, structural and agrarian policy, the recognition of the Republic of Cyprus and the discussion over acknowledging the massacre of Armenians in 1915 as a genocide – taken together, all this has had the result that today only 60 percent of Turks approve entry into the EU, as against 80 percent last year. "Surveys show a swing in popular opinion toward nationalist positions. The Nationalist Movement Party (MHP) had an acceptance rate of 18 percent at the end of April. And that was without any special friction points that could have sparked such a trend. In addition, self-confidence is growing in Turkey in view of its economic performance. Per capita income in Turkey grew to a record 4,172 dollars in 2004. The country has an economic growth rate of 9.9, and is second only to China in terms of GNP growth, and all that without becoming part of the EU – at least that's how the EU opponents like to see things."


Neue Zürcher Zeitung, 23.05.2005

Dieter Thomä pays homage to philosopher Paul Ricoeur, who died in Paris three days ago at 92. "More than any other major 20th century philosopher, Ricoeur was always curious about new ideas and positions other than his own.... Many will remember with pleasure the shine that lit up his eyes when conversation got rolling."


Cannes ends

The feuilleton film critics were unanimously pleased that the Golden Palm at Cannes went to Belgian brothers Jean-Pierre and Luc Dardenne. Alexandra Stäheli writes in the Neue Zürcher Zeiting: "The way 'The Child' unfolds the psychology of a figure on the margins of society – a character hovering between the sharpest realism and blithe artifice – is gripping and unnerving to the very end."

In the Tageszeitung, Cristina Nord enthuses: "The Dardennes brothers know how to show social misery and human failure in the cinema. And they never moralise when they do it. The less they want to prove, the more the result digs deep. Their characters never slow down, they're always on the move. The camera is riveted on them, showing backs, heads and necks in never-ending flight. The rooms – a hideout on a river, a highway, garages on the outskirts of a city, run-down subsidized housing – are precisely contoured, showing a milieu without pointing any fingers." Here a list of prizewinners.


Saturday 21 May, 2005

Frankfurter Allgemeine Zeitung, 21.05.2005

The new building of the Berlin Academy of Arts has opened on Pariser Platz, the central square just behind the Brandenburg Gate. All of the feuilletons report on the new building designed by Stuttgart architects Behnisch & Partner, which will house the reunited academies from East and West Berlin. Heinrich Wefing is thrilled. "A sensation. Nothing less, nothing more. A liberating, exhilarating location." Just one problem: Wefing is uncertain whether the "sleepy" academy is worthy of its new home. "If the academy wants to live up to its new surroundings, it has to be at least as brimful with ideas, as astonishing, as gruff and as stimulating as the architecture that lodges it. So far it's anything but that."


Der Tagesspiegel, 21.05.2005

Plays dealing with losers, the wretched, the unemployed and the socially down and out are front runners on German stages. Peter Laudenbach sees a paradox at work. "For example among audiences of Lars Noréns' 'Personenkreis 3.1', a classic of the homeless genre, at the Schaubühne theatre in Berlin. People who avoid beggars on the subway then pay twenty euros or more to see actors giving virtuoso performances of street junkies.... In times when the middle class is increasingly nervous about looming social decline, and when perspectives are uncertain even for the more well off, there is a certain ambivalence when you see that others are doing considerably worse than you. The audiences' pity is subtly mixed with a clear marking of lines. Social exclusion, both in and out of the theatre, stabilise the crumbling self-confidence of the middle class audiences. 'Social pornography' is director Christoph Schlingensief's word for such games of distinction. That an upstanding director like Thomas Ostermeier also does not manage to avoid these mechanisms does not speak against the theatre. It merely perpetuates the one-sided interaction beteen the middle classes and the excluded."


Die Welt, 21.05.2005

Hannes Stein introduces us to the secret universe of the liberal friends of America. Although they do not dare show themselves in public, they are all the more active on the Internet. For example, the websites "Achse des Guten" (axis of good), "Davids Medienkritik" (david's media critique) or "No Blood for Sauerkraut". Yet Stein regrets: "The liberal friends of America have not yet managed to carve out a firm place for themselves. There is no common cause that could bundle the energies of all the subversive webloggers on the Internet. So there's nothing in Germany like the Anglo-Saxon "Coalition for Darfur" – a website that diligently collects all the reports on the genocide in Sudan in their entirety, and documents all the subterfuges on the part of the government. German sites must stop pussyfooting around."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 11 - 17 December, 2010

A clutch of German newspapers launch an appeal against the criminalisation of Wikileaks. Vera Lengsfeld remembers GDR dissident Jürgen Fuchs and how he met death in his cell. All the papers were bowled over Xavier Beauvois' film "Of Gods and Men." The FR enjoys a joke but not a picnic at a staging of Stravinsky's "Rake's Progress" in Berlin. Gustav Seibt provides a lurid description of Napoleonic soap in the SZ. German-Turkish Dogan Akhanli author explains what it feels like to be Josef K.
read more

From the Feuilletons

Saturday 4 - Friday 10 December

Colombian writer Hector Abad defends Nobel Prize laureate Mario Vargas Llosa against European Latin-America romantics. Wikileaks dissident Daniel Domscheit-Berg criticises the new publication policy of his former employer. The Sprengel Museum has put on a show of child nudes by die Brücke artists. The SZ takes a walk through the Internet woods with FAZ prophet of doom Frank Schirrmacher. The FAZ is troubled by Christian Thielemann's unstable tempo in the Beethoven cycle. And the FR meets China Free Press publisher, Bao Pu.
read more

From the feuilletons

Saturday 27 November - Friday 3 December

Danish author Frederik Stjernfelt explains how the Left got its culturist ideas. Slavenka Draculic writes about censoring Angelina Jolie who wanted to make a film in Bosnia. Daniel Cohn-Bendit talks   about his friendship, falling out and reconciliation with Jean-Luc Godard. Wikileaks has caused an embarrassed silence in the Arab world, where not even al-Jazeera reported on the what the sheiks really think. Alan Posener calls for the Hannah Arendt Institute in Dresden to be shut down.
read more

From the Feuilletons

Saturday 20 - Friday 26 November, 2010

The theatre event of the week came in a twin pack: Roland Schimmelpfennig's new play, a post-colonial "Who's Afraid of Virginia Woolf" opened at the Deutsches Theater in Berlin and the Thalia in Hamburg. The anarchist pamphlet "The Coming Insurrection" has at last been translated into German and has ignited the revolutionary sympathies of at least two leading German broadsheets, the FAZ and the SZ. But the taz, Germany's left-wing daily, says the pamphlet is strongly right-wing. What's left and right anyway? came the reply.
read more

From the Feuilletons

Saturday 13 - Friday 19 November, 2010

Dieter Schlesak levels grave accusations against his former friend and colleague, Oskar Pastior, who spied on him for the Securitate. Banat-Swabian author and vice chairman of the Oskar Pastior Foundation, Ernest Wichner, turns on Schlesak for spreading malicious rumours. Die Zeit portrays the Berlin rapper Harris, and the moment he knew he was German. Dutch author Cees Nooteboom meditates on the near lust for physical torture in the paintings of Francisco de Zurburan. An exhibition in Mannheim displays the dream house photography of Julius Schulman.
read more

From the Feuilletons

Saturday 6 - Friday 12 November, 2010

The NZZ asks why banks invest in art. The FAZ gawps at the unnatural stack of stomach muscles in Michelangelo's drawings. The taz witnesses a giant step for the "Yugo palaver". Bernard-Henri Levy describes Sakineh Ashtiani's impending execution as a test for Iran and the west. Journalist Michael Anti talks about the healthy relationship between the net and the Chinese media. Literary academic Helmut Lethen describes how Ernst Jünger stripped the worker of all organic substances.
read more

From the Feuilletons

Saturday 30 October - Friday 5 November, 2010

Now that German TV has just beatified Pope Pius XII, Rolf Hochmuth tells die Welt where he got the idea for his play "The Deputy". The FR celebrates Elfriede Jelinek's "brilliantly malicious" farce about the collapse of the Cologne City Archive. "Carlos" director Olivier Assayas makes it clear that the revolutionary subject is a figment of the imagination. The SZ returns from the Shanghai Expo with a cloying after-taste of sweet 'n' sour. And historian Wang Hui tells the NZZ that China's intellectuals have plenty of freedom to pose critical questions.
read more

From the Feuilletons

Saturday 23 - Friday 29 October, 2010

Author Doron Rabinovici protests against the concessions of moderate Austrian politicians to the FPÖ: recently in Vienna, children were sent back to Kosovo at gunpoint. Ian McEwan wonders why major German novelists didn't mention the Wall. The NZZ looks through the Priz Goncourt shortlist and finds plenty of writers with more bite than Houellebecq. The FAZ outs two of Germany's leading journalists who fiercely guarded the German Foreign Ministry's Nazi past. Jens-Martin Eriksen and Frederik Stjernfelt analyse the symptoms of culturalism, left and right. Hans Ulrich Gumbrecht demonstratively yawns at German debate.
read more

From the Feuilletons

Saturday 16 - Friday 22 October, 2010

A new book chronicles the revolt of revolting "third persons" at Suhrkamp publishers in the wild days of 1968. Necla Kelek is appalled by the speech of the very Christian Christian Wulff, the German president, in Turkey. The taz met a new faction of hardcore Palestinians who are fighting for separate sex hairdressing in Gaza. Sinologist Andreas Schlieker reports on the new Chinese willingness to restructure the heart. And the Cologne band Erdmöbel celebrate the famous halo around the frying pan.
read more

From the Feuilletons

Saturday 9 - Friday 15 October, 2010

The FR laps up the muscular male bodies and bellies at the Michelangelo exhibition in the Viennese Albertina. The same paper is outraged by the cowardice of the Berlin exhibition "Hitler and the Germans". Mario Vargas-Llosa remembers a bad line from Sweden. Theologist Friedrich Wilhelm Graf makes it very clear that Western values are not Judaeo-Christian values. The Achse des Guten is annoyed by the attempts of the mainstream media to dismiss Mario Vargas-Llosa. The NZZ celebrates the tireless self-demolition of Polish writer and satirist Slawomir Mrozek.
read more

From the feuilletons

Saturday 2 - Friday 8 October, 2010

Nigerian writer Niyi Osundare explains why his country has become uninhabitable. German Book Prize winner Melinda Nadj Abonji says Switzerland only pretends to be liberal. German author Monika Maron is not sure that Islam really does belong to Germany. Russian writer Oleg Yuriev explains the disastrous effects of postmodernism on the Petersburg Hermitage. Argentinian author Martin Caparros describes how the Kirchners have co-opted the country's revolutionary history. And publisher Damian Tabarovsky explains why 2001 was such an explosively creative year for Argentina.
read more

From the Feuilletons

Saturday 25 September - Friday 1 October

Three East German theatre directors talk about the trauma of reunification. In the FAZ, Thilo Sarrazin denies accusations that his book propagates eugenics: "I am interested in the interplay of nature and nurture." Polemics are being drowned out by blaring lullabies, author Thea Dorn despairs. Author Iris Radisch is dismayed by the state of the German novel - too much idle chatter, not enough literary clout. Der Spiegel posts its interview with the German WikiLeaks spokesman, Daniel Schmitt. And Vaclav Havel's appeal to award the Nobel prize to Liu Xiabobo has the Chinese authorities pulling out their hair.
read more

From the Feuilletons

Saturday 18 - Friday 24 September, 2010

Herta Müller's response to the news that poet Oskar Pastior was a Securitate informant was one of overwhelming grief: "When he returned home from the gulag he was everybody's game." Theatre director Luk Perceval talks about the veiled depression in his theatre. Cartoonist Molly Norris has disappeared after receiving death threats for her "Everybody Draw Mohammed" campaign. The Berliner Zeitung approves of the mellowing in Pierre Boulez' music. And Chinese writer Liao Yiwu, allowed to leave China for the first time, explains why schnapps is his most important writing tool.
read more

From the Feuilletons

Saturday 10 - Friday 17 September, 2010

The poet Oskar Pastior was a Securitate informant, the historian Stefan Sienerth has discovered. Biologist Veronika Lipphardt dismisses Thilo Sarrazin's incendiary intelligence theories as a load of codswallop. A number of prominent Muslim intellectuals in Germany have written an open letter to President Christian Wulff, calling for him to "make a stand for a democratic culture based on mutual respect." And a Shell study has revealed that Germany's youth aspire to be just like their parents.
read more

From the Feuilletons

Saturday 4 - Friday 10 September, 2010

Thilo Sarrazin has buckled under the stress of the past two weeks and resigned from the board of the Central Bank. His book, "Germany is abolishing itself", however, continues to keep Germany locked in a debate about education and immigration and intelligence. Also this week, Mohammed cartoonist Kurt Westergaard has been awarded the M100 prize for defending freedom of opinion. Chancellor Angela Merkel gave a speech at the award ceremony: "The secret of freedom is courage". The FAZ interviewed Westergaard, who expressed his disappointment that the only people who had shown him no support were those of his own class.
read more