Dramaturgie im zeitgen�ssischen Tanz ist ? positiv gemeint ? ein hei�es Eisen. Idealerweise sind Dramaturginnen und Dramaturgen w�hrend der Erarbeitung eines St�cks die besten Freunde der Choreografen. more
Frankfurter Rundschau 09.11.2007
Polish author Wojciech Kuczok is
relieved that the PiS is stepping down but remains anxious about his
country. "If two years of a compromising regime of resentment,
xenophobia and nationalist Catholic gossip, baiting, spying, and
scandals is not enough to exhaust PiS voters, indeed has significantly
strengthened them, then it means Poland is breaking in two. An
entire army of failed, frustrated and helpless citizens voted for
resignation instead of mobilisation, for scrutinizing others instead of
taking fate into one's own hands, for looking backwards linstead of
bravely striding forward, and for despising the thought of oneself as
an individual and constantly looking for ways to justify national pride."
Neue Zürcher Zeitung 09.11.2007
On November 9th, poet Durs Grünbein looks back in an interview with Carsten Hueck at the fall of the Wall – and at 1980,
the year of change. "It was the year of strikes in Poland. This for me
was the decisive twist out of the ice age. The beginnings of movement,
as I only realised only years later. The Solidarnosc period was
followed a year later by martial law in Poland and the borders were
sealed... The political climate was getting more extreme. We knew
suddenly that the front ran inside the East and not, as was always
said, that the final battle would take place on the Western borders. It
was extremely oppressive because a geographical confusion set in. You
noticed that the really strong, tangible emancipation movement was now
coming from the East. A year later however it was suppressed again with
the imposition of martial law. It became real with the uprising of the
dock workers, with Walesa and so on. Which is why I have the greatest respect for the Poles. I am eternally grateful for this great uprising."
Frankfurter Allgemeine Zeitung 08.11.07
Jordan Mejas sees a disconcerting belligerence combined with a now habitual reality-disconnect among America's Neocons.
"The darker it looks for Republicans in America, the more dangerous it
becomes for the world. And the longer the drums are being beaten, the
easier it becomes for the Americans to get used to the idea of the next war.
Fox commentator Charles Krauthammer looks serenely into the cameras and
announces that he is not expecting this government to leave without
first extinguishing the Iranian enemy. The section of the population
which does not identify with the 52 percent of war supporters is
already accepting such predictions with strange equanimity. He has
resigned. Protest brings nothing, the president does what destiny throws at him."
Die Welt 08.11.07
The three social sciences institutes in Paris are to leave the Latin Quarter and move out to Aubervilliers in the suburbs, but Wolf Lepenies is not weeping:
"Weren't these establishments long alienated from social reality in the
chic milieu of the 6th and 7th arrondissements? Wouldn't it do the
sociologists and psychologists, anthropologists and historians a world
of good to go to work in the problem neighbourhoods of the Parisian
suburbs, where flames from burning cars still light up the night? More
than a dozen professors protested against the forced move to
Aubervilliers in an open letter in Le Monde newspaper. The
deputy mayors of Aubervilliers countered with a letter welcoming the
'citizen researchers' to their town, in which they adeptly appealed to
the researchers' social conscience: in Aubervilliers the human and
social sciences will be united not in the boutiques and cafes, but
right next to the 'Place du Front Populaire'."
Süddeutsche Zeitung 07.11.07
Thomas Urban describes how writer Andrzej Stasiuk presents Germany to Poles in his book "Dojczland", and how his "self-ironic" and "provocative" approach is once more dividing Polish critics.
"Some reviewers reproach Stasiuk for continually referring to his own
alcohol consumption, which they say is a recurring theme in the book.
His repeated references to a particular American bourbon and his
alleged states of intoxication with their ensuing hangovers harm
Poland's reputation abroad, critics say, and only serve as an intellectual ingratiation to the arrogant Germans."
Die Tageszeitung 07.11.07
The newspaper dedicates this edition to the 90th anniversary of the October Revolution. Klaus-Helge Donath describes how Putinism follows
in the footsteps of Communism, while doing away with anti-capitalist
ideology. "The first element in this continuity is Soviet patriotism.
It was born in the trenches of the Great Patriotic War and the
struggle against Nazism, and heralded the true birth of the USSR.
Generalissimo Stalin's victory over Hitler allowed the trauma of the Great Terror
in the 1930s to be whitewashed. It is no coincidence that May 9, the
day of victory, is now considered the country's most important holiday.
The USSR emerged from World War II as the second superpower. To thank
for this was Josef Stalin, who is now once more being portrayed in
schoolbooks as the universal liberator and founder of the
Russian superpower. Belief in Russia's grand, imperial mission and
Russian Messianism are ideological baggage which dominate the discourse
of Putinism. After a period of weakness in the 90s, so goes the
Kremlin's story, a historic continuity with the past has now been
established. The state is strong once more."
Süddeutsche Zeitung 06.11.07
Writer Ingo Schulze uses his acceptance speech for the Thüringer Literature Prize, sponsored by the energy company E.on,
to vent his discontent with the commercialisation of cultural life. The
paper prints a shortened version of his address. "What really gets on
my nerves is that there is hardly an exhibition catalogue nowadays that
doesn't have the logo of some company or another, and that practically
every festival or guest performance starts with a list of all its sponsors.
Even the reception at the German embassy in Rome on German Unification
Day was kicked off with a word of thanks to a car company, whose
products adorned the entrance like caryatids. And what's more, people
now take this re-feudalisation for granted. If the democratic
state doesn't have enough money, it must change the laws so that it can
once more see to its responsibilities. Failing that, it puts its own
existence into question."
Berliner Zeitung 06.11.07
Take That are back - minus crisis-ridden Robbie Williams, and riding a wave of success. Jens Balzer went
to the concert in Berlin which was obviously big, very big. "Voodoo
madness, charming Nazis, burning skulls and acrobats in shiny mauve
leather. On Sunday, the extreme dance and pop music group Take That,
now four-fifths complete, gave their first Berlin concert in 12 years
in the Velodrom. I'm not exaggerating when I say it was an unworldly triumph,
a gesamtkunstwerk of pop-historical dimensions, a firework display of
immortal songs and fascinatingly meaningless stage ideas, proffered by
a professional team suffering from gross existential confusion." And
then selflessness of their fans: "In front of me sits a heterosexual
couple, early thirties perhaps. She calls out relentlessly, "Gary I want your babies',
'Gary give me your babies, now.' And each time he follows this with a
'Yeah' – so selfless and tolerant are the people that go to Take That
concerts, the world would be a better place if everyone was like this."
Die Welt 05.11.07
Peter Zander talks to the actress Maria Shrader, whose directorial debut, the film of Zeruya Shalev's
book "Love Life" is opening in cinemas soon. When asked why she no
longer appears on the screen herself, she replies with disarming
candour: "It's not as if I've been overwhelmed with offers and thrown
them scornfully to the wind (laughs). This, I'm afraid, I have in
common with many others, Martina Gedeck and Franka Potente complain of the same thing. 'Aimee & Jaguar' – for almost three years nothing else came out of this country. It was as if people had seen too much of me. The idea of creating projects for specific actors almost never happens here."
Frankfurter Allgemeine Zeitung 03.11.07
The paper prints an interview originally published in El Pais with Jonathan Littell, author of the scandal-provoking novel "Les bienveillantes" (see our feature "The banalisation of evil"). The novel is told from the point of view of an SS murderer,
and sparked a heated debate when it came out in France last year. In
the interview, Littell expresses a singularly dim view of the world:
"When God disappears, we're confronted with a dilemma. Values
have to relate to something, they have to come from somewhere. In a
world without God, it's difficult to establish an ethical or moral
system. The ideologists have attempted to provide a replacement, but
they too have failed, and now we're left with nothing at all.
And neither the iPod, nor commerce and advertising can create a system
of values in its place. The values we pursue with our exaggerated
consumer behaviour don't mean a thing."
Neue Zürcher Zeitung 03.11.07
Kersten Knipp takes a whirlwind tour
through Budapest's cultural and intellectual milieu, and discovers a
country still strongly marked by losses of the past. Yet there is hope:
"Somewhere in the no man's land between the political fronts, the young cultural scene
dares to take a stand. At present it has little terrain, nevertheless
it serves as a persistent rallying point for all those who prefer
subtlety to crude arguments, and unconstrained ways of being to the
populism of politics. This small group of individuals hopes the country
will one day come together, summoning the strength to leap over the
ruins of the past. They hope that there, on the other side of Utopia,
relationships will be not only easier, but also more reliable, more
stable than those of today. In the end one cannot fail to be charmed by
the tender, alluring spirit of this new cultural energy in the city."