Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Friday
Die Tageszeitung 05.10.2007
Klaus-Helge Donath learns from Russian satirist Viktor Shenderovich
what stability under Vladimir Putin means. "Stability comes in many
forms. A tree is stable. It lives, bits of it die off, others grow in
their place. This is stability through change. But our stability,
however, is the stability of a morgue, where the dead
always lie in the same place with a yellow label tied to their toes.
Nothing happens, everything is lifeless. But everyone knows where the
yellow labels are stored and where the corpses belong. Stability in
Russian means politics is non-existent and the atmosphere of a freezer prevails."
Süddeutsche Zeitung 05.10.2007
Even the intellectuals in France succumbed to the charms of beefy men during the Rugby World Cup writes Christian Kortmann. Sebastien Chabal, known as "the anaesthetist" for his vicious tackles, is the focus of particular attention. "Raw violence and unbridled manliness are suddenly being seen as a recipe for success. Away with neuroses and humour, forget Freud and Woody Allen! Philosopher Catherine Kintzler
goes weak at the knees at the thought of this muscle-clad fight for survival. In an interview with French national player Christophe
Dominici in Philosophie magazine,
she explains her 'philosophy of contact,' calling the tight
pink-coloured tricots a second skin, praising the collective team
spirit and comparing rugby matches with the opera."
Frankfurter Rundschau 05.10.2007
Christian Thomas writes an obituary to the architect Oswald Mathias
Ungers who died on September 30. A man, Thomas says, whose career was
marked by an insistence on the affinity between architecture and art
and a vast desire for knowledge. "His library,
the product of five decades of collecting, had a legendary reputation.
In this 'Kubus Haus', which he built in 1989 to house his
treasures,
he brought together the reference works of the western art of building
and architectural theory, in a memory storage room of the most exacting
proportions. Accessible via a patio and peristyle, the master builder erected a
room
calculated for rarities and first editions ... from which to launch his plea for autonomy."
Die Welt 05.10.2007
Wulf Schönbohm, former director of the Turkish office of the Konrad Adenauer Stiftung, argues strongly for Turkish EU membership
and has harsh words for German conservative politicians: "It's becoming
increasingly difficult for CDU and CSU politicians to make a plausible case for keeping Turkey out of the EU. Yet they are sticking to their guns because this is one of the last seemingly conservative
posts, and because they're afraid of their voters. Instead of trying to erode prejudices prejudices, they prefer to develop them.
This is not conservative, it's reactionary. Unfortunately they
fail to see that EU membership of a reformed Turkey would put the West
and Islam on a new footing, and provide the Islamic World with a
progressive, future-oriented perspective, even offering a positive role
model."
Thursday
Frankfurter Rundschau 04.10.2007
In a very long interview, Nobel Prize laureate Günter Grass speaks with Martin Scholz about his upcoming eightieth birthday, the SPD, 1968, his SS avowal (more here) and reactions to his autobiography "Peeling the Onion." Needless to say, the German feuilletons
don't come away unscathed: "In American and English literary criticism,
people aren't above telling the reader what happens in a book. By
contrast, I often get the impression that the German feuilletons write entirely for themselves.
The authors are out to impress their colleagues or focus on their own
expectations of an author. If these are fulfilled, so much the better.
But if not, the reaction is correspondingly vitriolic. Things are
quite different in the Anglo-Saxon world. There critics start at author's intentions and assess the degree to which these have been realised." And his own mistakes? "I will never
have anything to do with the FAZ again, that's for sure."
Der Tagesspiegel 04.10.2007
Marcus Rothe has spoken with Jia Zhangke, the director of "Still Life."
Winner of this year's Golden Lion at the Venice Film Festival, the film
came out in Germany this week. Jia criticises not only Chinese society,
but also his fellow filmmaker Zhang Yimou ("Hero"): "Our society is sick. It wants to build up its future by erasing the past.
By contrast, my characters show how things are forgotten. With them, we
experience what a painful process thus is…. I think every film –
regardless of which genre it belongs to – should be bound up with
today's reality. Kung-Fu, horror and other commercial films can all say
something about the time we live in. Zhang Yimou's move towards purely
commercial entertainment films may be understandable because our film
industry still has feet of clay. But it's a great shame that his
works make no attempt whatsoever to reflect society today, and that
he's changed his political convictions so radically." (Here Christina Tilman's review of "Still Life.")
Tuesday
Süddeutsche Zeitung 02.10.2007
Last Sunday, NDR television station broadcast a documentary which provided new evidence about the involvement of the Quandt family,
owners of BMW, in National Socialism. Günther Quandt used slave
labourers in his battery factory in Hanover, as Karl-Heinz Büschemann reports. "It is beyond doubt that towards the end of the World War II, the AFA factory grounds were systematically transformed into an outpost of
Neuengamme concentration camp. Prisoners were forced to do extremely
hazardous work under the eyes of the SS guards. Many died. In an
internal memo, Günther Quandt allowed for a 'fluctuation' in his
factory, indicating that he clearly factored the deaths of many
concentration camp workers into his calculations. Concentration camp
prisoners were also used in the Berlin AFA plant…. Today, the Quandts
are one of Germany's wealthiest families."
Monday
Frankfurter Allgemeine Zeitung 01.10.2007
In the FAZ on Sunday, Nils Minkmar talked to Indian author Amitav Ghosh whose
book "The Glass Palace" takes place in Burma. He had the
following to say about the current turmoil in the country: "The fact
that it was the monks who lead the protests is a cause for the highest
hopes. We know of course that plenty of foreign money is flowing into
the Burmese opposition, but I would have been concerned if one of these
groups had lead the protests with western financial backing.
But the important thing, the unique thing about these protests in that
they come were initiated by sole institution which can lay claim to
real legitimation and authenticity in Burma today, and that is the Buddhist monasteries."
Saturday
Die Welt 29.09.2007
Matthias Heine was at the Berliner Ensemble for the premiere of Robert
Wilson's "Dreigroschenoper" (Threepenny Opera) and is bubbling with
enthusiasm, particularly about Angela Winkler. "Her Pirate Jenny leaves
the usual rancid romanticism of the Zille whore, which is always
associated with this role, light years behind. Red-haired, tousled, her
face whiter than white, she looks like a character from a Japanese
horror manga, and she whimpers the 'Solomon' song like a crazed angel
copulating with a singing saw (not sure about the technical details of
this), coaxing out of it the highest notes of inhuman lust. This
queen of derangement has long since left the eighth circle of madness
behind her."