Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Süddeutsche Zeitung, 03.05.2005
"Do all you can to prevent France from betraying progress!" This is the message German intellectuals call out in an open letter to their French colleagues, printed today in the SZ and yesterday in the French paper Le Monde. "Europe needs courage. Without courage there is no survival. Not for France. Not for Germany. Not for Poland." The signatories include singer-songwriter Wolf Biermann, Nobel Prize winning writer Günter Grass, philosopher Jürgen Habermas, author Klaus Harpprecht and Gesine Schwan, the recent SDP candidate for the German presidency.
Sociologist Ulrich Beck opposes what he calls
neo-nationalism: the idea that democracy is only possible on a national
level, and so not practicable in Europe, as Ralf Dahrendorf has suggested in his claim "the more EU, the less democracy", for example. "Europe
needs critique, without doubt. But not blind, nostalgic critique, based
on grand delusions. We need a critical theory of Europeanisation, one
that is both radically new and yet which stands firmly in the
tradition of European thought and politics. Such a theory must address the idea that common solutions are more
fruitful than unilateral actions on the part of nations. The 'Europe of
differences' does not represent a danger. It will renew, transform and
open up the nations and states of Europe to the global era. Such a
Europe may even become a beacon of freedom in a turbulent world."
Holger Liebs still wants to wait and see if in fact there is more to the 'Leipzig Label' than "rising prices for oil on canvas". Nonetheless, he is positive about the new home of many Leipzig galleries in the 'Baumwollspinnerei' (cotton spinnery – more here) in the Plagwitz district. "Gallerist Gerd Harry Lybke,
who represents many of the young internationally renowned painting
stars from the local academy, has now relocated from the centre of town
to the once desolate industrial site. And five other Leipzig galleries
came with him." However, the rough and ready look of the place did give
Liebs cause for thought. "Everywhere you look the plaster is falling from the walls, the original rusty beams from 1884 stand like rickety skeletons in the halls, some windows are still broken. And on the roof of Hall 14, chives are growing."
Frankfurter Allgemeine Zeitung, 03.05.2005
The building of the Goethe Institute, Germany's cultural institute, was attacked and set on fire last Friday in the Togolese capital of Lomé.
Hans Christoph Buch writes that the attack was no spontaneous outburst
of fury, "but the attempt of a politically bankrupt regime to redirect
the people's anger at the international community, and to turn neutral
mediators into scapegoats for the regime's mistakes." Buch interprets the events as the symptom of a rampant "Somalisation"
in the region: "A dictatorial regime cedes power, but rather than
bringing the people democracy, the desire, chaos and anarchy spread.
As opposed to the festive utopia of 1968, we are seeing a war of all against all,
in which only the strongest survive. Old accounts are settled, and
forgotten ethnic conflicts once more inflamed so that the civil war is degenerating into a tribal war. Yet the resulting hatred is not a direct
expression of the people's mood. Powerful warlords artificially stir it up beforehand."
Der Tagesspiegel, 03.05.2005
One week before the Memorial to the Murdered Jews of Europe is inaugurated in Berlin on the 60th anniversary of the end of World War II, Christina Tilmann looks
at other memorial sites in Germany and throughout the world. "In 1947,
the Polish parliament decided that the ruins of the concentration camp
in Auschwitz-Birkenau should 'be preserved for ever as a
memorial to the sufferings of the Polish and other peoples.' Other
camps also became memorials. In Majdanek, Victor Tolkin and Janusz Dembek made a huge monument through which the gas chambers and crematorium can be seen. In Treblinka,
visitors cross reproduced railroad ties before coming onto an expanse
of 17,000 granite stones, which stand in a circle around a monument
built by Franciszek and Adam Haupt, dedicated to the Jews of Warsaw."
Tilmann comments that the horrors of the time are often best conveyed
by smaller monuments: "The Anne Frank House in Amsterdam, or the Otto Weidt workshop for the blind, where Inge Deutschkron survived. Platform 17 in Berlin's Grunewald district, where the deportation trains left for the east.... Or the signs in the 'Bavarian Quarter' in Schöneberg district, in remembrance of the systematic disenfranchisement of the Jews in Berlin."
Frankfurter Rundschau, 03.05.2005
Sixty years after the end of the Second
World War, Harry Nutt writes that one still discovers life stories in
Germany that completely "defy historic clarity". He takes the
example of Eliah Goldberg, the SS man who took on the identity of a
Jewish merchant after the war (his story was filmed by Dani Levy),
the "liberal Germanist Hans Schwerte, who was first exposed in 1995 as
Hans Schneider, the SS Storm Trooper in 'Ahnenerbe'" and Eleke
Scherwitz, presumably of Baltic Jewish origin, who made a career with
the SS and directed the Lenta camp outside Riga. Anita Kugler dedicated a
detailed biography
to him. "The clear contours of the National Socialist power structures
begin to blur on the edges of Eastern Europe. At no point is Schweritz
a representative of the 'Generation of the Unbound',
as historian Michael Wildt calls the leadership corps of the RSHA (Reich Central Security Office) in his portrait of National Socialist
power. As the director of Lenta, where luxury goods for the SS officers
were produced, Schweitz hired Jewish craftsmen and tried to protect
them for as long as possible from the horrors of the camp." Nonetheless
Scherwitz remains "despite all the details which Kugler illuminates,
contradictory and puzzling". Not even his real name has been
ascertained.
Die Welt, 03.05.2005
Wolf Lepenies describes the
notions of Germany's future that prevailed after 1945. Henry Morgenthau
argued for a complete de-industrialisation of the country. "The German
emigrants in the USA had different views of the Morgenthau Plan. Hannah Arendt
said that allowing the Allies to scrupulously exercise 'natural
selection' would amount to a victory of National Socialist ideology. Albert Einstein
was in favour of the de-industrialisation of Germany, for starters. He
considered the decrease in the population of Germany to be just
punishment for its systematic de-population of large parts of Europe..
'I can't think of much to say against it,' wrote Thomas Mann to
Einstein." There were further ideas. "When Germany gambled away its
freedom with the National Socialists and morally decimated their
country with the Holocaust, Thomas Mann recalled Goethe's words that
the Germans like the Jews, must be scattered throughout the world ....
In 1945, he wished for the final de-politicisation of Germany." Long before the German nation was born (1871), Goethe was wary of its possible formation. He commented to Chancellor von Müller in 1808, "Germany is nothing
while each individual German is a lot. But most Germans think the
opposite. Germans must be scattered and planted throughout the world,
like the Jews, in order that the goodness they embody contribute to the
well-being of the nations." (The original can be found in Goethe's
Gedenkausgabe, Bd. XXII: Goethes Gespräche, 1. Teil., Zürich 1949, S.
527 – ed.)
Die Tageszeitung, 03.05.2005
"Our
jokes aren't tasteless; fascism was." Robin Alexander takes in a new
generation of young comedians in Tel Aviv who see no point in
respecting the Holocaust taboo. "This becomes clear very quickly
watching the weekly program 'Pini Agadol' (literally: 'The big penis').
In it, Adolf Hitler sings a duet with Anne Frank ('Evil dictator, good
friend of our show') to the tune of the Sonny and Cher hit 'I Got You,
Babe'. There is a review of the Jewish restaurant Chez Mengele ('very
expensive, typically Jewish'). Such content would land its makers on
the index in the USA or in jail in Germany. In Israel, the country of
the victims, it makes them a cult hit." The subtle jokes of the weak
minority are out, says comedian Gil Kopatch. "We're not at all
afraid, we're straight ahead, loud, even aggressive: 'We don't make fun
of the people who irritate us with fine plays on words,' says Kopatch.
'We kick them hard in the ass'."