Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Monday 27 November, 2006
Neue Zürcher Zeitung 27.11.2006
"Would – as so often suggested – an increase in public awareness really contribute to a solution in Darfur?" asks
Angela Schader in relation to the ongoing conflict in Sudan. The voices she collected
range from sceptical to distraught. The Sengalese writer Boubacar Boris Diop
who within the 'Rwanda - ecrire par devoir de memoire' project has
dealt extensively with the genocide in Rwanda – said bitterly at the
time that in the eyes of the West, it was just a load of blacks
beating each other up. Today he writes on Darfur: "Sometimes it seems
as if a greater fate presides over the execution of genocide. It
happens, and as it unfolds before the eyes of all mankind, people argue
about it and can say nothing more than how powerless they are to do anything."
Frankfurter Allgemeine Zeitung 27.11.2006
Mark Siemons introduces the 24-year-old Han Han, a Chinese writer and racing driver who is seen as a symbol of the new generation that is difficult to control and whose blog is unprecedentedly critical of his fellow writers. "He stopped going to school at seventeen,
and instead published a sarcastic novel ('Three Doors'), a no-holds
barred attack on the educational system which sold over a million copies.
Despite having dropped out of high school, he was offered a place to
study at the famous Fudan University in Shanghai, which he turned down
in favour of writing another four books - before going on to
become a racing driver. He invested his literary earnings in cars, was
taken on by the BMW training programme, became a member of the Shanghai
333 Race Club and soon went on to win his first race."
Die Welt 27.11.2006
It seems that at the last minute Berlin has delivered a major contribution to the Mozart year. Manuel Brug applauds Hans Neuenfels's 'Magic Flute' at the Berlin Komischer Oper. The main props are a giant wooden penis and a silvery scrotal sack.
Saturday, 25 November, 2006
Die Welt 25.11.2006
Journalist Ulrike Ackermann considers the western response to the unreasonable demands of Islamism:
"The fearful flinching from angry attacks by the Muslim world indicate
that the west's self-confidence is quite poorly developed, when it
comes to its own freedoms. And appeasement, or even that
western tendency toward self-hate that you sometimes see nowadays, is
hardly capable of taking on this new totalitarian threat. It is high
time to take stock of what freedom is and what it means to us."
Frankfurter Allgemeine Zeitung 25.11.2006
In the newly revived weekend supplement Bilder und Zeiten, Charles Simonyi, the programmer behind Word and Excel, explains how he prepared for his flight aboard the Soyuz TMA-10 to the International Space Station. "System theory
is my best subject. It's all about making something dependable and
secure out of elements that are fragile and dangerous. The Russians
have mastered this art, in part because, unlike their American
colleagues, they have to work with serious handicaps: a lack of
resources, a lack of dependable suppliers, and many other problems. I'm
really keen to get to know their way of thinking. Just imagine what you
could achieve with technology perfected under such conditions, when
combined with the boundless possibilities available to us in Silicon Valley." (read his diary)
Frankfurter Rundschau 25.11.2006
Director Thomas Ostermeier made it big nine years ago with his production of Mark Ravenhill's "Shoppen und Ficken" (Shopping and Fucking). Now he's put Ravenhill's latest work, "Das Produkt"
(The Product) on stage. Nikolaus Merck took in the premiere: "Does the
pedagogical concept work on the stage? The audience had a lot of fun,
maybe even too much fun. And gave a big round of applause for the aging matadors,
the impishly smiling 'stage-setter' Thomas Ostermeier and, at his side,
Mark Ravenhill: bald, paunchy, looking rather uncouth, and casting a reptilian, mistrustful eye at the scornful audience."
Neue Zürcher Zeitung 25.11.2006
In the literature and art pages, Islam expert Tilman Nagel addresses the relationship between violence and Islam,
and concludes: "The Koranic conviction – whose earliest traditions,
permeated as they are with Islamic law, proved the truth of Islam
through power-political success - remains alive and well to this day." And Nagel throws a sarcastic comment at the open letter from Muslim leaders regarding the Pope's
speech in Regensburg: "Not being a Muslim was never a legitimate 'casus
belli,' write the 38 signatories. But in fact, Mohammed only authorized an attack if the 'call to Islam' was ignored three times."