Consumers have power. The Internet portal Utopia.de means to show how they can use this power so as, if not to save the world, then at least effectively to improve it by ?intelligent? consumption. In the meantime businesses have begun to sit up and take notice....
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Probably never before has there been so much hype around a premiere at the Bayreuth Festival. Because the director of this "Mastersingers of Nuremberg" is Katharina Wagner, great granddaughter of Richard Wagner, who could one day take over as festival director. By Marianne Zelger-Vogt (Image: Katharina Wagner. © Enrico Nawrath, courtesy Bayreuther Festspiele)
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This summer, Christian Thielemann will conduct Richard Wagner's four-part "Ring of the Nibelung" opera cycle at the Bayreuth Festspiele. He talks to Christine Lemke-Matwey about the festival, Wagner's music, and the dark German sound: tyaaa-tyaaa-tyaaa-tyaa-tyaa-tyaa-tyaaa
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Christoph Schlingensief's controversial "Parsifal" is showing at the Wagner Festival for the second year running. He talks to Tina Hildebrandt and Stephan Lebert about hero
impersonators in politics, zombies in Bayreuth and pre-election Germany.
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This year's Bayreuth Festival opened with a new interpretation of Wagner's "Tristan and Isolde" by Swiss director Christoph Marthaler. The stakes were high; the last Tristan, by Heiner Müller, enjoyed iconographic status. And for Hans-Klaus Jungheinrich, this year's performance was an unspectacular failure, with the notable exception of Nina Stemme's brilliant Isolde.
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