Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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The 400-page German translation of Jonathan Littell's corpse-littered SS novel, "The Kindly Ones," has put the German-language feuilletons into a critical frenzy, despite the general consensus that the book is bad. We have compiled a selection of the accusations hurled.
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Only one truly original auteur filmmaker made it into this year's Berlinale Competition. With "Night and Day" Korean director Hong Sangsoo proved himself to be one of the great free-thinking talents of contemporary cinema. This aside, emaciated wishy-washy realism prevailed. By Ekkehard Knörer
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With the Berlin film festival well underway we pick out some of the highlights. Jose Padilha's "Tropa de Elite" might have all the components of an Egoshooter film but it's far off. Hongkong star Johnnie To's "Sparrow" is a bringer of unadulterated joy. Isabel Coixet's "Elegy" stars a couple of aging Roth rabbits. And P.T. Anderson's "There Will Be Blood" should be enjoyed on an empty stomach.
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A large-scale and long-overdue project has begun. German historians are documenting the persecution and extermination of the Jews in 16 volumes of primary source texts where metal merchants and budgie lovers all have their say - with no recourse to hindsight. By Eckhard Fuhr
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The Berlin district of Prenzlauer Berg is the playground of the new Germany. But unless you fit in, life can be tough among the beautiful creatives of a gated community that needs no wall. By Henning Sußebach
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Kurt von Hammerstein was head of the Reichswehr, a grand seigneur, and an implacable opponent of National Socialism. In his new book "Hammerstein oder Der Eigensinn" (Hammerstein or idiosycrasy), Hans Magnus Enzensberger engages in dialogues with the dead to deliver a literary and lunatic precipitate of German history.
By Ina Hartwig
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At the New Year's concert in the Alte Oper in Frankfurt the audience's excitement was palpable. It was patently clear to all assembled that they were either about to witness the disgrace of one of the world's greatest living violinists, or the triumphant birth of a new piano virtuoso. By Arno Widmann
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So what was 1968? It was when the children of German mass murderers ran after mass murderer Mao Tsedong, says historian and ex-Maoist Götz Aly. Absolutely not, says educationalist and author Katharina Rutschky: The practice of dispelling fascism in the kindergarten was far more important than ideology. Stefan Reinecke and Jan Feddersen preside over a full-blown row.
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Give me back my hierarchical media system! Print journalists live in fear of the death of "good journalism" through Web 2.0 and yet a blogger was nominated Germany's journalist of 2007. While the discourse rumbles on Google is noiselessly earning 3 euros a month from millions of German users. By Robin Meyer-Lucht
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An interview with one of the grand old men of German theatre, Gert Voss, about Schiller's Wallenstein, the glories and the disappointments of the stage, and a life-long love of cinema. By Peter Kümmel
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The celebrated German theatre collective Rimini Protokoll gives centre stage to "experts on everyday life". Eva Behrendt met three of its unsuspecting stars: English Literature student Priyanka Nandy, lorry driver Vento Borissov and corporate consultant Sven-Joachim Otto.
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The global power of capital has no need for military force. And it is nigh on boundless. Sociologist Ulrich Beck presents seven theses for a better world.
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Come cruising in the park they say is dead. In his
biography of Stefan George, Thomas Karlauf reveals the charismatic German poet's authoritarian practices and the homoerotic core of his work. By Alexander Cammann
Thuringia and Saxony Anhalt are two of Germany's most neglected states today, yet they make up the country's cultural heart. Gustav Seibt drives two hundred kilometres south of Berlin to the land of Bach, Goethe and Hegel that brought forth Bauhaus, Protestantism and the German Enlightenment.
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Last week the 1945 Rechnitz massacre hit the headlines after British journalist David Litchfield maintained that Countess Margit von Batthyany, partial heir to the Thyssen industrial family, had taken part in the atrocity. But such speculations belong to the boulevard press. The real issue is the scandalous role of the German postwar criminal justice system in letting the perpetrators escape Germany unharmed. By Stefan Klemp
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