Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
In response to the arson attack on the offices of the Parisian satirical magazine Charlie Hebdo on November 2, Danish critic and semiotician Frederik Stjernfelt is nauseated by the opinions voiced against the publication, especially in the British and American media. Why don't they see that Islamism is right-wing extremism?
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The malice of the American media in the case of Dominique Strauss-Kahn is a symptom of sexual uptightness that borders on the sinister, and the feminists have joined forces with the religious Right to see it through. We can learn much from America, but not when it comes to the art of love. By Pascal Bruckner
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On what would have been Romanian philosopher E.M. Cioran's 100th birthday, Suhrkamp has published a volume of his essays from the 1930s, "Über Deutschland". Effervescing with enthusiasm for Hitler and fascist ideas, they cast a dark shadow over his later writing. Fritz Raddatz wishes he'd never had to read such abominations and bids a former companion a bitter farewell. Photo: E.M. Cioran © Surhrkamp Verlag
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The French president Nikolas Sarkozy has embarked on a programme to deport the Roma. The problem, though, is not the Roma but those who think the Roma are a problem. We need an intellectual revolution - for the recognition of a nomadic tradition that is hundreds of years old. Freedom of movement is a European right! By Andre Glucksmann.
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Olivier Roy is one of Europe's leading experts on Islam. His new book "Holy Ignorance" is due to be published this autumn. Eren Güvercin talks to him about issues central to the debate about Islam in Europe, from revolutionary milleniarism to Muslim Luthenarianism.
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Charlotte Gainsbourg spent two months in Germany, either blood-spattered in a dark forest or sealed off in a sterile hotel. She talks to Martina Meister about discovering her limits during the filming of "Antichrist" by Danish director Lars von Trier.
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Bernard-Henri Levy looks at some of the problems posed by the film "Valkyrie" which are too complex and delicate to be resolved within Hollywood logic. First on the list: the Scientology question.
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Tunisian-born writer Abdelwahab Meddeb depicts the pain and sadness afflicting Gaza, where the horror of the human race appears in all its nakedness.
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An SS man reflects on mass murder - and there's a pigeon hole for every vile deed. Novelist Georg Klein on the Holocaust and the enlightened harmony of trivial realism in Jonathan Littell's novel "The Kindly Ones".
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The 400-page German translation of Jonathan Littell's corpse-littered SS novel, "The Kindly Ones," has put the German-language feuilletons into a critical frenzy, despite the general consensus that the book is bad. We have compiled a selection of the accusations hurled.
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The Parisian social sciences institutes are being turfed out of their ancestral homes in the city's most desirable arrondissements and relocated to Aubervilliers. A bitter pill, but also a chance to turn theory into practice. By Wolf Lepenies
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Benjamin Biolay is France's new Serge Gainsbourg. He is pioneer of the "Nouvelle Chanson," even if he rejects the term. And basically he sings about one thing: love, nothing but love. By Elke Buhr (Photo © Bruce Weber, courtesy Virgin Records France / EMI)
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"In America I learned that Europe is possible." A conversation with Bernard-Henri Levy about his trip through the USA, the neo-conservatives after the disaster in Iraq, the fascist roots of Islamism and France before the elections. By Thierry Chervel (Photo: R. Escher)
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Freud once said that "dreams are the guardians of sleep." Andre Glucksmann has spent his life trying to fight them. At almost 70, he's as alert, distrusting and belligerent as ever. David Signer talks with the French philosopher about his new autobiography "Une rage d'enfant," and his life spent trying to find productive expression for his rage.
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Paris is the anti-Berlin. While the world's writers and artists are flocking to the ugly German capital, personalities like Sofia Coppola and Jarvis Cocker are drawn to Paris to pursue their work in freedom and impeccable style in front of perfect facades. By Eckhart Nickel
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