Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Apitchatpong Weerasethakul, the Thai film maker who has just won the Palme d'Or in Cannes, talks to Cristina Nord about the political situation in his country and his films.
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The director Werner Herzog is the president of the jury at this, the 60th Berlinale. Katja Nicodemus met him in Los Angeles to discuss burning Lilliputians, how it feels like to be unsuccessfully shot at, and the life of a lone Bavarian wolf in Hollywood.
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Taking off where Sergei Eisenstein left off, Alexander Kluge has made a nine-and-a-half hour film about Karl Marx and the fairytale of "Kapital". And it's not a minute too long. By Helmut Merker
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"Yella", the new film by director Christian Petzold, hits the screens in Germany today. He talks to Christiane Peitz about working with actress Nina Hoss, abandoning Hitchcock, and his personal bugbear, the amphibian film.
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A hotel room in Munich, June 1976. Andre Müller looks back on a memorable talk with film and stage director Ingmar Bergman about human destructiveness, the Lord above or lack thereof, and making the world a microscopically better place.
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No other obituary of Ingmar Bergman or Michelangelo Antonioni makes it as clear how necessary they were - and how bitterly we will miss them - as The New York Times'. By Arno Widmann
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Rainer Werner Fassbinder died 25 years ago. His ex-wife, the actress and chanteuse Ingrid Caven, is outraged at the way the Fassbinder legacy is being misrepresented. She talks to Katja Nicodemus about the cult of genius, lies and the Utopian days of great cinema.
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While many Europeans are fed up with Europe, to others it seems like heaven on earth. In presenting itself as an economic power, Europe fails to take advantage of its emotional potential. This is the age of the image, but European stories no longer play a significant role in our theatres. The countries of Europe could dream the European dream if only we had faith in the power of our own imagery! A call to arms by German filmmaker Wim Wenders.
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Milos Forman's latest film "Goya's Ghosts" is a historic drama set during the Spanish Inquisition. Here, the Czech-American director talks to Ralph Eue about torture techniques, 18th century Europe and being true to the spirit of the facts.
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It's finally happened. The film version of Patrick Süskind's mega-hit "Perfume" has hit the screens. Director Tom Tykwer talks with Dietmar Kammerer about his passion for the project, his proximity to the central figure - a serial killer in pursuit of love - and covering whole neighbourhoods with a layer of filth.
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There is more brutality on any street corner in China than in a splatter porn film, yet Chinese films are still subject to censorship. One example is director Lou Ye, whose film "Summer Palace" has him threatened with a professional ban. But if you ask around, you get the impression no one is really incensed about censorship because it can do very little to curtail the truth. By Susanne Messmer
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Jasmila Zbanic's debut feature film "Grbavica" about life in post-war Bosnia won the Golden Bear at this year's Berlinale. Here, the young director talks with Jan Schulz-Ojala about the war's ugly aftermath, the boycott of her film and the redemptive possiblities of art.
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Spike Lee's most recent film "Inside Man" is a thriller set in a post 9/11 New York. In an interview with the intrepid Katja Nicodemus, Lee talks about American cluelessness, his waning rage and the beloved dachshund of his youth, "Schnitzel".
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In Michael Haneke's new film "Cache", a Parisian citizen is confronted with a dark episode from his childhood – and suddenly France's colonial history comes rushing to the surface. The Austrian director talked to Dominik Kamalzadeh about guilt, guilty consciences and the legacy of the Algerian war.
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Patrice Chereau describes his newest film "Gabrielle" and the challenge of adapting Joseph Conrad for the screen. An interview with Gerhard Midding.
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