Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
The New York Times|
Plus - Minus | L'Espresso |
The Spectator |
Der Spiegel | Gazeta Wyborcza | Le Nouvel Observateur | The Economist | The Guardian | Merkur | Die Weltwoche | Outlook India
The New York Times, 11.09.2005 (USA)
Four years after 9/11 Mark Danner takes stock and has to admit that the war on terror has changed the
terrorists but it has also strengthened them. "The sheer
number and breadth of terrorist attacks, suggest strongly that Al Qaeda
has now become Al Qaedaism - that under the American and allied
assault, what had been a relatively small, conspiratorial organization
has mutated into a worldwide political movement, with thousands of
followers eager to adopt its methods and advance its aims. Call it
viral Al Qaeda, carried by strongly motivated next-generation followers
who download from the Internet's virtual training camp a perfectly
adequate trade-craft in terror. ... 'We have taken a ball of
quicksilver," says the counterinsurgency specialist John Arquilla, 'and
hit it with a hammer'."
Plus - Minus, 10.09.2005 (Poland)
Four years after the attacks of September 11th, Zbigniew Brzezinski the
former national security advisor to president Jimmy Carter writes, "The US
government replaced the communists with the Islamic terrorists as the
number one enemy. The real threat however lies in the Third World, in
the millions of frustrated people. Self-righteous America is the
ultimate object of hate for them." The world expects more of the USA
than just the military affirmation of its power. It is in its own
interests to look for allies to share the weight of responsibility for
improving the human race. "The sovereignty of the USA has to serve
something greater than its own security."
L'Espresso, 09.09.2005 (Italy)
The Pentagon is coming down strong on the blogs of soldiers in Irak, in
which they describe the trials of war, writes Alessandro Gilioli.
"Colby Buzzel, 28, first battalion, 23rd regiment, tried to write about
the battle for Mosul in August last year, in which he fought on the
front line. He provided all sorts of horrific details, admitted to having
shot civilians, and contested the number of deaths reported by CNN (who
gave the number as 12). Colby was ordered by the Pentagon to close the
blog until he was released from the army. Now he has started it again
and if you click on it you find an image which clearly illustrates the
opinion of the ex-soldier: Guernica, Picasso's painting of the massacre
during the Spanish Civil War."
The Spectator, 10.09.2005 (UK)
The Katrina catastrophe prompts the Spectator to ask on its front page:
"What's Wrong with America?" Walter Ellis summarises just how grim the
situation is. "For nearly half of the people of the United States,
these are hard times. The gap between the haves and have-nots has
widened to almost Third World dimensions over the past 30 years. The
rich and successful have flourished, but the middle classes are in
trouble, saddled with debt and uncertainty (to say nothing of college
fees), while many Hispanics barely scrape a living. Factories have been
closing at an alarming rate, with much of the slack being taken up by
China, whose power in the world America is only now beginning to
appreciate."
Der Spiegel, 12.09.2005 (Germany)
"After the poets, now the sociologists and historians are becoming the
puppets of the politicians." Matthias Matussek delivers
a melancholy
swansong for left-wing political critique. "To a great extent,
left-wing criticism has become reactionary. It either comments on Oscar
Lafontaine's pro-welfare rhetoric or not at all. Left-wing visions no
longer promote culture, probably because they've needed such constant
revision. Who's going to hurl abuse at internationalism when they have
to fight globalisation to keep their job. Who is still enamoured with
multiculturalism when in the Muslim ghettos of western capitals, women
are being beaten up and bombs constructed? Yes, and who's not sick to
the teeth of the whole self-realisation circus of the sexes when the
shattered remains of the family and abandoned children brutalize
society? The time, says Hamlet, is out of joint."
Gazeta Wyborcza, 10.09.2005 (Poland)
Commenting on the heated discussion in Poland over the mistakes committed after 1989 and the demands for a "moral revolution", Adam Michnik paints a black picture of the power of blind masses.
In a long essay, he cites examples from history in which adrenalised
nationalistic and anti-Semitic masses ruined the lives of decent people
– whether in the Dreyfus Affair in France, the bating of Emile Zola or the hate campaign against the first Polish president Gabriel Narutowics,
who was shot by an artist in 1922, just after being elected. "It is
difficult, very difficult, to stand up against the aggression of the
masses. And it is very difficult to find a reply to the base, antidemocratic argumentation
that is lapped up so eagerly by the mob. But you have to resist, even
if it means showing solidarity for a losing cause. That is the lesson
learned by every Polish democrat in the 20th century."
Le Nouvel Observateur, 08.09.2005 (France)
John Updike's book of short stories "Licks of Love" has just appeared in French, and the Nouvel Obs asks him in an interview whether he believes writers are a dying breed.
"Writers, as I understand them, are professionals who work in
meditative solitude to create a product that is sold to an interested
readership, and who strive to think subtly and express themselves well.
This type of writer, who can approach almost any subject, is becoming
increasingly rare. The term 'writer' is fading in the electronic age,
where the market's appetite for the written word has abated... The
desire to read hasn't entirely disappeared, because the printed word
offers escapism and enlightenment second to none. But what is
new, what in earlier times was printed in newspapers, is now threatened –
like poetry – with being shunted onto a side track in a specialised
province, which is basically only frequented by self-proclaimed
writers."
The Economist, 09.09.2005 (UK)
The Economist dedicates a dossier to the quality of university education in a time of steadily rising enrolments. The magazine writes in bitter terms that teaching quality in the former academic citadels of Europe has suffered considerably. In a list of international universities
put out by the University of Shanghai, only Oxford and Cambridge ranked
among the top 20. "To grasp the full absurdity of this ambition, it is
worth visiting the Humboldt University in Berlin. Walk into the
main foyer, stroll up the steps to the first floor past a slogan by a
former student engraved in gold on the wall ("Philosophers have simply
interpreted the world; the point is to change it") and study the portraits of the Nobel prize-winners
that line the walls. There were eight in 1900-09, six in 1910-19, four
in 1920-29, six in 1930-39, one in 1940-49 and four in 1950-56. The
roll of honour includes luminaries such as Theodor Mommsen, Max Planck,
Albert Einstein and Werner Heisenberg. But after 1956 the Nobel prizes suddenly stop."
The Guardian, 10.09.2005 (UK)
Austrian author Murray Bail attempts to understand what distinguishes European from Anglo-Saxon novels. The Europeans, including the Russians, love to generalise. "Another attraction of European, including Russian, writers: they are not afraid of the bold assertion.
So bold and distinctive are these assertions, it's enough to send timid
and ordinary minds rushing for the exits. 'Oh, that's a
generalisation.' What then is to be said of the first sentence of Anna Karenina?
'All happy families are alike; each unhappy family is unhappy in its
own way.' Surely it's little more than a 'generalisation'. Timid
readers, timid thinkers are more comfortable when bold and distinctive
minds are lowered to more digestible levels - via the refuge of relativism."
Merkur, 01.09.2005 (Germany)
This year the September/October issue is dedicated to reality and realism in philosophy, politics and culture. After years of deconstructive melancholy, Hans Ulrich Gumbrecht identifies a new longing for substantiality:
"'Substantiality' also, and above all, stands for a (not just
psychical) warmth, for density and perhaps also for the incalculability
of life, which can never be reduced entirely to the performance of
consciousness."
Die Weltwoche, 09.09.2005 (Switzerland)
The cover of this week's Weltwoche boasts the title: "All about Germany". Bruno Ziauddin travels first class through the Federal Republic on the high-speed ICE train, to find a (Swiss) answer
to the question: Are the Germans really doing so badly? No sooner does
the train start through the Allgäu Region in south-western Bavaria than
he exclaims: "Here everything looks as perfect as in a Heidi film.
Everyone's well-off. Hardly a house hasn't been renovated, the
limousine quotient is considerably higher than in Switzerland, not to
mention elsewhere in Europe. And with its high-tech equipment, roomy,
wood-trimmed toilets and friendly stewards who bring a tray with tomato
juice to your seat, the ICE is like a four-star hotel. Can a country that can afford trains like this really be in crisis?"
Outlook India, 19.09.2005 (India)
"Adoor Gopalakrishnan
lives very much in the present, crafts exquisite cinematic essays about
the past and is assured of a permanent place in Indian cinema's
future." And he is the first filmmaker from Kerala to be given the
renowned Dadasahed Phalke Award by the Indian government, very much to the delight
of film critic Saibal Chatterjee. Despite the European influence in his
works, writes Chatterjee, "it became clear quickly enough that he was too distinctive a filmmaker to build his career on borrowed ideas and styles.... All his films hinge on adroit psychological probing rather than on sweeping dramatic thrusts."