Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Outlook India | Reason | 2000 | The Guardian | Le Monde diplomatique |
Nepszabadsag | Al Ahram Weekly | Die Weltwoche | Le Nouvel Observateur
| The Spectator | The New York Times
Outlook India, 22.08.2005 (India)
Almost
60 years after the Partition of India, the magazine grits its teeth
and devotes an entire edition to this subject alone and demands a new
writing of history. "In the great Amar Chitra Katha of the national
imagination," writes Sunil Khilnani, professor of political science at the Johns Hopkins
University. "Partition is an archetypal tale of tragic heroes and
scheming villains, men who make sacrifices and others who betray." But
Partition, says Khilnani was a complex political event. Religion was
dealt with only on the margins. Sikhs, Hindus, Muslims - "each of these
were internally divided and differentiated; and much of the violence
that made Partition was not so much directly caused by these entities,
but was a necessary means to define and bring them into
existence - needed in order to freeze these identities hard."
A
view from abroad. Christopher Hitchens recapitulates on the
interweaving of his biography and India's recent history only to add a
word of warning. "To get over their fixation on the British was for
some Indians the work of a generation. To wean itself from the
addiction to 'socialist planning' a la Russia took India itself almost
as long. To replace this with an attachment to Hindu and ancestral
pride - as Sir Vidia Naipaul sometimes seems to recommend - would be to
miss the point of the historical and geographical crux that India now
commands."
S. Anand talked to Arundhati Roy about India and
state of the world and even managed to tease out of her a sceptical
remark about her own role as an icon of global
anti-capitalism. "Sometimes NGOs wreck real political resistance more
effectively than outright repression does. And yes, it could be argued
that I’m yet another commodity on the shelves of the Empire’s
supermarket, along with Chinese cabbages and freeze-dried prawns. Buy
Roy, get two human rights free!"
Reason, 15.08.2005 (USA)
In
an interview with Shikha Dalmia the writer Salman Rushdie talks a bit
about his new collection of essays "Step Across This Line" and a lot
about not being able to separate Islam and terrorism with a clear
conscience. "It reminds me a little bit of what Western socialists used
to say during the worst excesses of the Soviet Union. They would say
that that's not really socialism. There is a real socialism that is
about liberty, social justice, and so on, but that tyrannical regime
over there which was actually existing socialism is not really Marxism.
The problem was that that's what there was. When that fell, in a way
that whole intellectual construct of socialism fell with it. It became
very difficult to ignore all these people coming out of the Soviet
Union who detested the term socialism, because to them it meant
tyranny. I think there is beginning to be that kind of disconnect in
the discourse about Islam. There is an actually existing Islam which is
not at all likeable."
2000, 15.08.2005 (Hungary)
The
Hungarian writer Laszlo Krasznahorkai tells in conversation how a visit
to China changed his life. "I saw the Forbidden City and the Temple of
Heaven and the barbers on the streets and all of these things were
part of a functioning ancient Empire – TODAY. The sense of TODAY
changed suddenly and fundamentally. Then I travelled home and I was
very happy. I stopped everything I was doing, I did nothing else,
nothing at all, I didn't talk about it or write about it. I believe I
was happy for the first time in my life. I was asked what I am doing. I
said, nothing. Why should I? I'm happy. But it didn't last for long
because I started looking at my Hungarian world. I drove to
Tatabanya to the annual miner's ball. If I were able to bend my
experience in China, to rescue, import, apply and transport it –
in sum, if the world were truly one – then I would have been able to
see the pissed drunk dancers as mythic figures. But that's not what
they were. The knowledge that somewhere out there, an antique world
exists, does not extend to include this, it doesn't change our reality.
The world is ticking, alas, to different tempi."
The Guardian, 13.08.2005 (UK)
Since the Renaissance of English literature from India in the 1990s,
British literary agents have been pouring through the country looking
for the next Arundhati Roy, a new Salman Rushdie or V.S. Naipaul.
William Dalrymple reports that so far, they haven't found much. Not
surprising. "As far as writing in English is concerned, not one of the Indian
literary A-list actually lives in India, except Roy, and she seems to
have given up writing fiction. It is not just that the diaspora tail is
wagging the Indian dog. As far as the A-list is concerned, the diaspora
tail is the dog."
On another front, Nicholas Lezard calls Theodor W.
Adorno's "In Search of Wagner" ("Versuch über Wagner") criticism of the
highest order.
Le Monde diplomatique, 12.08.2005 (France / Germany)
In an abbreviated version of a speech he gave, Jan Philipp Reemtsma
sketches the fragile relationship between religion and secular society.
"For a religious person, a secular society is a society of errors. The
clergy of Teheran shares this view with the orthodox clergy of
Jerusalem and that of Rome. Combating his secular society is a clear
goal of Islamic groups all over the world, combating it in Israel is an
objective of a part of the political spectrum and combating it the
world over is the explicit goal of the former Pope Johannes Paul II."
Secular thinking, on the other hand, should not concern itself with
religious symbols such as the veil, says Reemtsma.
Nepszabadsag, 12.08.2005 (Hungary)
The journalist Judith N. Kosa expresses her surprise at the success of
the new website of the Education Ministry and the National Archive.
With the "Family tree. Memory", anyone can place certificates, letters
and other documents online at no cost, can organise the data with
family tree software and can discover points of connection with other
families. Shortly after its launch, roughly 10.000 people had placed
their family trees online, had gotten to know each other in Chatrooms
or had written family novel blogs. "The director of the national
archive, Lajos Gecsenyi, said that the social upheavals of the last
fifty years had resulted in a loosening-up of human relationships. Any
knowledge that on has of his or her forefathers is often merely
coincidental. This amounts to an enormous burden for society."
According to the author, the website, working on the grassroots
principle, will become an important instrument for the writing of
Hungarian history.
Al Ahram Weekly, 11.08.2005 (Egypt)
Ezzat Ibrahim tries to make sense of Janus-faced political scientist
Francis Fukuyama's thinking. A year and a half ago, Fukuyama proclaimed
the end of history and the final triumph of western liberalism.
Fukuyama advises the Bush administration, but carefully calls the Iraq
war a mistake; he is one of the most respected neo-conservative
political commentators, but in the last election he voted for John
Kerry. "On one thing Fukuyama is clear. 'First,' he says, 'America has
never created democracy abroad. People who live in a society that want
it have created democracy. The US can't simply decide it wants to
democratise this part of the world, it has to build on internal
discourse that is pushing in that direction. That was my basic
objection to the whole concept of Iraq, that there was a theoretical
possibility that everything would fall into place in Iraq and it would
develop like Eastern Europe did after the fall of communism.'"
The London-based Iraqi writer Haifaa Zangana claims that not Islam, but
the American occupation of Iraq is destroying the rights of women
there. And Youssef Rakha reports on the 41st International
Festival of Carthage in Tunis.
Die Weltwoche, 11.08.2005 (Switzerland)
"MRR
is an 85-year-old pop star, who entertains his audience with book
reviews," comments Julian Schütt after an indeed very entertaining
interview with an impatient Marcel Reich-Ranicki. "I hope your tape
recorder works. Just so you don't say later that the tape was
dysfunctional. This is a one-time deal. So let's go!" The critic
didn't deny that his canon of German drama contains only men. "I don't
choose books on the basis of their authors' sex organs. My belief is:
German-language women cannot write plays. I know, I come across as
misogynous when I say that. People want to throttle me, and I hold up Marieluise
Fleißer as an example; Bertolt Brecht did more than just look over her
shoulder. She lived 40 years after her relationship with Brecht, but
didn't manage to write one piece in that time."
Le Nouvel Observateur, 11.08.2005 (France)
Is
French cuisine in a crisis, or is it just the Michelin Guide? The title
story looks at a new phenomenon in the gastronomic heights: the return
to reason. More and more restaurant owners want to escape the high
prices and "dictatorship of the Michelin", and have even been known to
give back one of their hard-earned stars. Their new credo: you can be
first class and cook with a highly personal style even "without chichi
and tralala". The young cooks of the Generation.C are: Fabrice
Biasiolo ("Une auberge en Gascogne"), Benjamin Tourcel, Gilles Choukroun
and David Zuddas. The Nouvel Obs is already calling them the "Hussars
of the table", who have broken waves to "desacralise" French cooking:
"Most chefs of the new generation reject the 'system' and the
'pressure' of the Michelin. They have a passionate love for their
profession, but they don't want to collapse under the weight of it. And
they can't stand the arbitrary, dumb decisions any longer."
The
magazine also features an interview with Pascal Ory, publisher of the
book "Discours gastronomique francais des origines a nos jours"
(Gallimard), on the decreasing waning significance of French cuisine,
and a portrait of chef Thierry Marx. In his restaurant Chateau
Cordeillan-Bages in Medoc he offers a menu for 60 euros. One person
eats for free at each table – and must give an elaborate judgement on
the chef's creations in return. The dossier also contains a small
lexicon of "trendy cuisine".
The Spectator, 15.08.2005 (UK)
Bruce
Anderson takes a sober look at the controversy about the Iranian
nuclear programme: Nothing can come of European attempts at diplomacy,
and the USA is geo-politically not so certifiably insane as to attack
Iran. So what to do? Anderson's suggestion: "Let them build nukes." The
comparison with the other nuclear powers also speaks in favour: "If the
Chinese, Indians and Pakistanis have nuclear weapons, why not them?
They are more democratic than Pakistan, while their human rights record
is much better than China’s."
The New York Times, 14.08.2005 (USA)
Amanda
Hesser visits Bruno Goussault, head of the CREA, to find out for the New York Times
Magazine why good restaurants now shrink-wrap their meals before they
cook them. "Sous vide" is the name of the technique that combines
vacuum packing, low cooking temperatures and deep freeze in exact
plans. "For meats and fish, there is a window of doneness between 52
degrees Celsius (about 125 degrees Fahrenheit) and 62 degrees Celsius
(about 144 degrees Fahrenheit). Below 52, you risk bacteria. Above 62,
you begin denaturing proteins. Goussault then put one piece of salmon
in a thermal circulator set at 56 degrees Celsius and one set at 53
degrees Celsius to see if they could raise the final internal
temperature to 54 and 50 degrees respectively without changing the
texture they had achieved in the piece they had cooked to 47 degrees.
Food cooking in a thermal circulator looks a bit like an animated
version of a Damien Hirst sculpture - abstract animal parts suspended
in a vibrating liquid."