The second and third generation of immigrants behind the camera has given German cinema a new lease of life and goes way beyond depicting what it is like to be a foreigner in another society, as was the case in the 70s, 80s and 90s. By Margret Köhler...
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In American Scholar, Yale professor William Deresiewicz sees the downside of his elite education while standing opposite his plumber. Wired welcomes in the Petabyte Age. Tygodnik Powszechny visits the "Sacroexpo" to look at camouflaged chalices. In the New York Review of Books, Zadie Smith analyses the supra-Kafka. In L'Espresso, Umberto Eco explains the vocative to Italian ministerial officials. Merkur recommends that art critics take a leaf out of Theocritus' Fifteenth Idyll. And the New York Times goes out in search of children in Europe.
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Since the beginning of the year, the German feuilletons have been probing the relationship between architecture and morality. Their interest was kindled by the publication of Deyan Sudjic's book "The Edifice Complex: How the Rich and Powerful Shape the World", which came out in 2006, and examines the role of European architects in non-democratic states such as China and Libya. We take a look at how the debate developed.
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